When they reached the top of the heath, riding along to meet them came Liftore--this time to Florimel’s consolation and comfort: she did not like riding unprotected with a good angel at her heels. So glad was she that she did not even take the trouble to wonder how he had discovered the road she went. She never suspected that Caley had sent his lordship’s groom to follow her until the direction of her ride should be evident, but took his appearance without question, as a loverlike attention, and rode home with him, talking the whole way, and cherishing a feeling of triumph over both Malcolm and Lenorme. Had she not a protector of her own kind? Could she not, when they troubled her, pass from their sphere into one beyond their ken? For the poor moment, the weak lord who rode beside her seemed to her foolish heart a tower of refuge. She was particularly gracious to her lover as they rode, and fancied again and again that perhaps the best way out of her troubles would be to encourage and at last accept him, so getting rid of honeyed delights and rankling stings together, of good and evil angels and low-bred lover at one sweep. Quiet would console for dulness, innocence for weariness. She would fain have a good conscience toward Society-- that image whose feet are of gold and its head a bag of chaff and sawdust. Malcolm followed, sick at heart that she should prove herself so shallow. Riding Honour, he had plenty of leisure to brood. CHAPTER XXXII. A CHASTISEMENT. When she went to her room, there was Caley taking from a portmanteau the Highland dress which had occasioned so much. A note fell, and she handed it to her mistress. Florimel opened it, grew pale as she read it, and asked Caley to bring her a glass of water. No sooner had her maid left the room than she sprang to the door and bolted it. Then the tears burst from her eyes, she sobbed despairingly, and but for the help of her handkerchief would have wailed aloud. When Caley returned, she answered to her knock that she was lying down, and wanted to sleep. She was, however, trying to force further communication from the note. In it the painter told her that he was going to set out the next morning for Italy, and that her portrait was at the shop of certain carvers and gliders, being fitted with a frame for which he had made drawings. Three times she read it, searching for some hidden message to her heart; she held it up between her and the light; then before the fire till it crackled like a bit of old parchment; but all was in vain: by no device, intellectual or physical, could she coax the shadow of a meaning out of it, beyond what lay plain on the surface. She must, she _would_ see him again.