“You damned flunkie!” he panted. “I’ll have you shot like a mangy dog.”
“Meanwhile I will chastise you like an insolent nobleman,” said
Malcolm, who had already almost recovered his self-possession. “You
dare to touch my mistress!”
And with the words he gave him one more stinging cut with the whip.
“Stand off, and let it be man to man,” cried Liftore, with a fierce
oath, clenching his teeth in agony and rage.
“That it cannot be, my lord; but I have had enough, and so I hope has
your lordship,” said Malcolm; and as he spoke he threw the whip to the
other end of the room, and stood back. Liftore sprang to his feet, and
rushed at him. Malcolm caught him by the wrist with a fisherman’s grasp.
“My lord, I don’t want to kill you. Take a warning, and let ill be, for
fear of worse,” he said, and threw his hand from him with a swing that
nearly dislocated his shoulder.
The warning sufficed. His lordship cast him one scowl of concentrated
hate and revenge, and leaving the room hurried also from the house.
At the usual morning hour, Malcolm had ridden to Chelsea, hoping to
find his friend in a less despairing and more companionable mood than
when he left him. To his surprise and disappointment he learned that
Lenorme had sailed by the packet to Ostend the night before. He asked
leave to go into the study. There on its easel stood the portrait of
his father as he had last seen it--disfigured with a great smear of
brown paint across the face. He knew that the face was dry, and he
saw that the smear was wet: he would see whether he could not, with
turpentine and a soft brush, remove the insult. In this endeavour he
was so absorbed, and by the picture itself was so divided from the rest
of the room, that he neither saw nor heard anything until Florimel
cried out.
Naturally, those events made him yet more dissatisfied with his
sister’s position. Evil influences and dangers were on all sides
of her--the worst possible outcome being that, loving one man, she
should marry another, and him such a man as Liftore. Whatever he heard
in the servants’ hall, both tone and substance, only confirmed the
unfavourable impression he had had from the first of the bold-faced
countess. The oldest of her servants had, he found, the least respect
for their mistress, although all had a certain liking for her, which
gave their disrespect the heavier import. He _must_ get Florimel away
somehow. While all was right between her and the painter he had been
less anxious about her immediate surroundings, trusting that Lenorme
would ere long deliver her. But now she had driven him from the very
country, and he had left no clue to follow him up by. His housekeeper
could tell nothing of his purposes. The gardener and she were left in
charge as a matter of course. He might be back in a week, or a year;
she could not even conjecture.
Public-domain text, read in full here on John Shaqi.
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