"No, I'm not fainting. Pippo! there's nothing wrong--at home?" Elinor
cried, holding out her hand to him--coming to herself, which meant only
awakening to the horror of a danger far more present than she had ever
dreamt, and to the sudden sight not of her boy, but of that Nemesis
which she had so carefully prepared for herself, and which had been
awaiting her for years. She was not afraid of anything wrong at home.
It was the first shield she could find in the shock which had almost
paralysed her, to conceal her terror and distress at the sight of him
from the astonished, disappointed, mortified, and angry boy.
"I thought," he said, "you would have been glad to see me, mother! No,
there's nothing wrong at home."
"Thank heaven for that!" cried Elinor, feeling herself more and more a
hypocrite as she recovered from the shock. "Pippo, I was saying this
moment that you were at school. The words were scarcely off my lips--and
then to see you in a moment, standing there."
"I thought," he repeated again, trembling with the disappointment and
mortification, wounded in his cheerful, confident affection, and in his
young pride, the monarch of all he surveyed--"I thought you would have
been pleased to see me, mother!"
"Of course," said John, cheerfully, "your mother is glad to see you: and
so am I, you impetuous boy, though you don't take the trouble of shaking
hands with me. He wants to be kissed and coddled, Elinor, and I must be
off to my chambers. But I should like to know first what's up, boy?
You've got something to say."
"Pippo, what is it, my dearest? You did give me a great fright, and I am
still nervous a little. Tell me, Pippo; something has brought you--your
uncle John is right. I can see it in your eyes. You've got something to
tell me!"
The tired and excited boy looked from one to another, two faces both
full of a veiled but intense anxiety, looking at him as if what they
expected was no good news. He burst out into a big, hoarse laugh, the
only way to keep himself from crying. "You don't even seem to remember
anything about it," he cried, flinging himself down in the nearest
chair; "and for my part I don't care any longer whether any one knows or
not."
And Elinor, whose thoughts were on such different things--whose whole
mind was absorbed in the question of what he could have heard about
the trial, about his father, about the new and strange future before
him--gazed at him with eyes that seemed hollowed out all round with
devouring anxiety. "What is it?" she said, "what is it? For God's sake
tell me! What have you heard?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account