London (England) -- Fiction; Married people -- Fiction; Politicians -- Fiction
They landed at the Piazzetta as the lamps were being lit. The soft
October darkness was falling fast, and on the ledges of St. Mark's and
the Ducal Palace the pigeons had begun to roost. An animated crowd was
walking up and down in the Piazza where a band was playing; and on the
golden horses of St. Mark's there shone a pale and mystical light, the
last reflection from the western sky. Under the colonnades the jewellers
and glass-shops blazed and sparkled, and the warm sea-wind fluttered
the Italian flags on the great flag-staffs that but so recently had
borne the Austrian eagle.
Ashe walked with his head thrown back, thinking absently, in this centre
of Venice, of English politics, and of a phrase of Metternich's he had
come across in a volume of memoirs he had been lately reading on the
journey:
"Le jour qui court n'a aucune valeur pour moi, excepté comme la veille
du lendemain. C'est toujours avec le lendemain que mon esprit lutte."
The phrase pleased him particularly.
He, too, was wrestling with the morrow, though in another sense than
Metternich's. His mind was alive with projects; an exultant
consciousness both of capacity and opportunity possessed him.
"Why, you've passed the club, William!" said Kitty.
Ashe awoke with a start, smiled at her, and with a wave of the hand
disappeared in a stairway to the right.
Margaret French lingered in a bead-shop to make some purchases. Kitty
walked home alone, and Margaret, whose watchful affection never failed,
knew that she preferred it, and let her go her way.
The Ashes had rooms on the first bend of the Grand Canal looking south.
To reach them by land from the Piazza, Kitty had to pass through a
series of narrow streets, or _calles_, broken by _campos_, or small
squares, in which stood churches. As she passed one of these churches
she was attracted by the sound of gay music and by the crowd about the
entrance. Pushing aside the leathern curtain over the door, she found
herself in a great rococo nave, which blazed with lights and
decorations. Lines of huge wax candles were fixed in temporary holders
along the floor. The pillars were swathed in rose-colored damask, and
the choir was ablaze with flowers, and even more brilliantly lit, if
possible, than the rest of the church.
Kitty's Catholic training told her that an exposition of the Blessed
Sacrament was going on. Mechanically she dipped her fingers into the
holy water, she made her genuflection to the altar, and knelt down in
one of the back rows.
Public-domain text, read in full here on John Shaqi.
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