London (England) -- Fiction; Married people -- Fiction; Politicians -- Fiction
The sheep, however, was still gambolling at large. Occasionally a guest
appeared who proved it. For instance, at a certain tumultuous entrance,
billowing skirts, vast hat, and high-pitched voice all combining in the
effect, Madame d'Estrées flushed violently, and Warington's stiffness
redoubled. On the threshold stood the young actress, Mademoiselle Ricci,
a Marseillaise, half French, half Italian, who was at the moment the
talk of Venice. Why, would take too long to tell. It was by no means
mostly due to her talent, which, however, was displayed at the Apollo
theatre two or three times a week, and was no doubt considerable. She
was a flamboyant lady, with astonishing black eyes, a too transparent
white dress, over which was slung a small black mantilla, a scarlet hat
and parasol, and a startling fan of the same color. Both before and
after her greeting of Madame d'Estrées--whom she called her "chérie" and
her "belle Marguerite"--she created a whirlwind in the _salon_. She was
noisy, rude, and false; it could only be said on the other side that she
was handsome--for those who admired the kind of thing; and famous--more
or less. The intimacy of the party was broken up by her, for wherever
she was she brought uproar, and it was impossible to forget her. And
this uneasy attention which she compelled was at its height when the
door was once more thrown open for the entrance of Lady Kitty Ashe.
"Ah, my darling Kitty!" cried Madame d'Estrées, rising in a soft
enthusiasm.
Kitty came in slowly, holding herself very erect, a delicate and
distinguished figure, in her deep mourning. She frowned as she saw the
crowd in the room.
"I'll come another time!" she said, hastily, to her mother, beginning to
retreat.
"Oh, Kitty!" cried Madame d'Estrées, in distress, holding her fast.
At that moment Harman, who was watching them both with keenness, saw
that Kitty had perceived Mademoiselle Ricci. The actress had paused in
her chatter to stare at the new-comer. She sat fronting the entrance,
her head insolently thrown back, knees crossed, a cigarette poised in
the plump and dimpled hand.
A start ran through Kitty's small person. She allowed her mother to lead
her in and introduce her to Donna Laura.
"Ah-ha, my lady!" said Harman, to himself. "Are you, perhaps, interested
in the Ricci? Is it possible even that you have seen her before?"
Kitty, however, betrayed herself to no one else. To other people it was
only evident that she did not mean to be introduced to the actress. She
pointedly and sharply avoided it. This was interpreted as aristocratic
_hauteur_, and did her no harm. On the contrary, she was soon chattering
French with a group of diplomats, and the centre of the most animated
group in the room. All the new-comers who could attached themselves to
it, and the actress found herself presently almost deserted. She put up
her eye-glass, studied Kitty impertinently, and asked a man sitting near
her for the name of the strange lady.
Public-domain text, read in full here on John Shaqi.
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