London (England) -- Fiction; Married people -- Fiction; Politicians -- Fiction
With a shiver she crossed the hall, and pushed her way into the suite of
rooms on the northern side. She felt herself in absolute possession of
the palace. Federigo no doubt had locked up; her mother and a few guests
were still talking in the _salon_ of the _mezzanine_, expecting her to
return. She would return--soon; but the solitariness and wildness of
this deserted place drew her on.
Room after room opened before her--bare, save for a few worm-eaten
chairs, a fragment of tapestry on the wall, or some tattered portraits
in the Longhi manner, indifferent to begin with, and long since ruined
by neglect. Yet here and there a young face looked out, roses in the
hair and at the breast; or a Doge's cap--and beneath it phantom features
still breathing even in the last decay of canvas and paint the violence
and intrigue of the living man--the ghost of character held there by
the ghost of art. Or a lad in slashed brocade, for whom even in this
silent palace, and in spite of the gaping crack across his face, life
was still young; a cardinal; a nun; a man of letters in clerical dress,
the Abbé Prévost of his day....
Presently she found herself in a wide corridor, before a high, closed
door. She tried it, and saw a staircase mounting and descending. A
passion of curiosity that was half romance, half restlessness, drove her
on. She began to ascend the marble steps, hearing only the echo of her
own movements, a little afraid of the cold spaces of the vast house, and
yet delighting in the fancies that crowded upon her. At the top of the
flight she found, of course, another apartment, on the same plan as the
one below, but smaller and less stately. The central hall entered from a
door supported by marble caryatids, was flagged in yellow marble, and
frescoed freely with faded eighteenth-century scenes--cardinals walking
in stiff gardens, a pope alighting from his coach, surrounded by
peasants on their knees, and behind him fountains and obelisk and the
towering façade of St. Peter's. At the moment, thanks to a last glow of
light coming in through a west window at the farther end, it was a place
beautiful though forlorn. But the rooms into which she looked on either
side were wreck and desolation itself, crowded with broken furniture,
many of them shuttered and dark.
Public-domain text, read in full here on John Shaqi.
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