Authors -- Fiction; Human-alien encounters -- Fiction; Martians -- Fiction; Paris (France) -- Fiction; Young men -- Fiction
One evening he bought her a little warm gray cloak that took his
fancy; when he went home after dinner to give it her he found the
three birds of song had taken flight--sans tambour ni trompette, and
leaving no message for him. The baker-landlord had turned them
adrift--sent them about their business, sacrificing some of his rent
to get rid of them; not a heavy loss, I fancy.
Barty went after them all over the little town, but did not find
them; he heard they were last seen marching off with guitar and
fiddle in a southerly direction along the coast, and found that
their luggage was to be sent to Ostend.
He felt very sorry for Marianina and missed her--and gave the cloak
to some poor child in the town, and was very lonely.
One morning as he loafed about dejectedly with his hands in his
pockets, he found his way to the little Hôtel de Ville, whence
issued sounds of music. He went in. It was like a kind of
reading-room and concert-room combined; there was a piano there, and
a young lady practising, with her mother knitting by her side; and
two or three other people, friends of theirs, lounging about and
looking at the papers.
The mamma was a very handsome person of aristocratic appearance. The
pretty daughter was practicing the soprano part in a duet by
Campana, which Barty knew well; it was "Una sera d' amore." The
tenor had apparently not kept his appointment, and madame expressed
some irritation at this; first to a friend, in French, but with a
slight English accent--then in English to her daughter; and Barty
grew interested.
After a little while, catching the mamma's eye (which was not
difficult, as she very frankly and persistently gazed at him, and
with a singularly tender and wistful expression of face), he got up
and asked in English if he could be of any use--seeing that he knew
the music well and had often sung it. The lady was delighted, and
Barty and mademoiselle sang the duet in capital style to the mamma's
accompaniment: "guarda che Bianca luna," etc.
"What a lovely voice you've got! May I ask your name?" says the
mamma.
"Josselin."
"English, of course?"
"Upon my word I hardly know whether I'm English or French!" said
Barty, and he and the lady fell into conversation.
It turned out that she was Irish, and married to a Belgian soldier,
le Général Comte de Clèves (who was a tremendous swell, it
seems--but just then in Brussels).
Barty told Madame de Clèves the story of his eye--he was always very
communicative about his eye; and she suddenly buried her face in her
hands and wept; and mademoiselle told him in a whisper that her
eldest brother had gone blind and died three or four years ago, and
that he was extraordinarily like Barty both in face and figure.
Presently another son of Madame de Clèves came in--an officer of
dragoons in undress uniform, a splendid youth. He was the missing
tenor, and made his excuses for being late, and sang very well
indeed.
Public-domain text, read in full here on John Shaqi.
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