Authors -- Fiction; Human-alien encounters -- Fiction; Martians -- Fiction; Paris (France) -- Fiction; Young men -- Fiction
said Barty to his aunt--quoting (or misquoting) a bard they were very
fond of just then, as they slowly walked down the "Grand Brul" in
solitude together, from the nineteenth century to the fourteenth in
less than twenty minutes--or three chimes from St. Rombault, or
fifty skrieks from the railway station.
But for these a spirit of stillness and mediæval melancholy brooded
over the quaint old city and great archiepiscopal see and most
important railway station in all Belgium. Magnificent old houses in
carved stone with wrought-iron balconies were to be had for rents
that were almost nominal. From the tall windows of some of these a
frugal, sleepy, priest-ridden old nobility looked down on broad and
splendid streets hardly ever trodden by any feet but their own, or
those of some stealthy Jesuit priest, or Sister of Mercy.
Only during the Kermesse, or at carnival-time, when noisy revelers
of either sex and ungainly processions of tipsy masques and mummers
waked Mechelen out of its long sleep, and all the town seemed one
vast estaminet, did one feel one's self to be alive. Even at night,
and in the small hours, frisky masques and dominoes walked the
moonlit streets, and made loud old Flemish mediæval love, à la
Teniers.
There was a beautiful botanical garden, through which a river flowed
under tall trees, and turned the wheels of the oldest flour-mills in
Flanders. This was a favorite resort of Barty's,--and he had it
pretty much to himself.
And for Lady Caroline there were, besides St. Rombault, quite
half-a-dozen churches almost as magnificent if not so big, and in
them as many as you could wish of old Flemish masters, beginning
with Peter Paul Rubens, who pervades the land of his birth very much
as Michael Angelo pervades Florence and Rome.
And these dim places of Catholic worship were generously open to
all, every day and all day long, and never empty of worshippers,
high and low, prostrate in the dust, or kneeling with their arms
extended and their heads in the air, their wide-open, immovable,
unblinking eyes hypnotized into stone by the cross and the crown of
thorns. Mostly peasant women, these: with their black hoods falling
from their shoulders, and stiff little close white caps that hid the
hair.
Out of cool shadowy recesses of fretted stone and admirably carved
wood emanations seemed to rise as from the long-forgotten past--tons
of incense burnt hundreds of years ago, and millions of closely
packed supplicants, rich and poor, following each other in secula
seculorum! Lady Caroline spent many of her hours haunting these
crypts--and praying there.
At the back of their house in the Rue des Ursulines Blanches,
Barty's bedroom window overlooked the playground of the convent "des
Soeurs Rédemptoristines": all noble ladies, most beautifully dressed
In scarlet and ultramarine, with long snowy veils, and who were
Waited upon by non-noble sisters in garments of a like hue but less
expensive texture.
Public-domain text, read in full here on John Shaqi.
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