As these stories are of our own time and country, and as there is not a swashbuckler of the seventeenth century, or a sentimentalist of this, or a princess of an imaginary kingdom, in any of them, they will possibly not reach half a million readers in six months, but in twelve months possibly more readers will remember them than if they had reached the half million. They are new and fresh and strong, as life always is, and fable never is; and the stories of The Conjure Woman have a wild, indigenous poetry, the creation of sincere and original imagination, which is imparted with a tender humorousness and a very artistic reticence. As far as his race is concerned, or his sixteenth part of a race, it does not greatly matter whether Mr. Chesnutt invented their motives, or found them, as he feigns, among his distant cousins of the Southern cabins. In either case, the wonder of their beauty is the same; and whatever is primitive and sylvan or campestral in the reader's heart is touched by the spells thrown on the simple black lives in these enchanting tales. Character, the most precious thing in fiction, is as faithfully portrayed against the poetic background as in the setting of the Stories of the Color Line. Yet these stories, after all, are Mr. Chesnutt's most important work, whether we consider them merely as realistic fiction, apart from their author, or as studies of that middle world of which he is naturally and voluntarily a citizen. We had known the nethermost world of the grotesque and comical negro and the terrible and tragic negro through the white observer on the outside, and black character in its lyrical moods we had known from such an inside witness as Mr. Paul Dunbar; but it had remained for Mr. Chesnutt to acquaint us with those regions where the paler shades dwell as hopelessly, with relation to ourselves, as the blackest negro. He has not shown the dwellers there as very different from ourselves. They have within their own circles the same social ambitions and prejudices; they intrigue and truckle and crawl, and are snobs, like ourselves, both of the snobs that snub and the snobs that are snubbed. We may choose to think them droll in their parody of pure white society, but perhaps it would be wiser to recognize that they are like us because they are of our blood by more than a half, or three quarters, or nine tenths. It is not, in such cases, their negro blood that characterizes them; but it is their negro blood that excludes them, and that will imaginably fortify them and exalt them. Bound in that sad solidarity from which there is no hope of entrance into polite white society for them, they may create a civilization of their own, which need not lack the highest quality. They need not be ashamed of the race from which they have sprung, and whose exile they share; for in many of the arts it has already shown, during a single generation of freedom, gifts which slavery apparently only obscured. With Mr. Booker Washington