The Martins Of Cro' Martin, Vol. I (of II)Lever, Charles
History
The Martins Of Cro' Martin, Vol. I (of II)
Lever, Charles
Ireland -- History -- 1800-1837 -- Fiction; Ireland -- Social life and customs -- 19th century -- Fiction
“Not a ballad?--not even one of the Melodies?”
“Not even one of the Melodies,” said she, sorrowfully.
“Shame upon me for that 'even,'” said Repton; “but you see what comes
of surviving one's generation. I lived in an age when the 'Last Rose of
Summer' and the 'Harp that Once' were classical as Homer's 'Hymns,' but
I have now fallen upon times when English music is estimated in the
same category with English cookery, and both deemed very little above
barbarous. To be sure,” added he, “it does seem very like a poetical
justice for the slavish adherence of _our_ education to Greek and Roman
literature, that our ladies should only sing to us in the languages of
Italy or Germany.”
“I hope you would not imply that we are as little versed in these as
great scholars are in the others?” said Kate Henderson, slyly.
“Sharply said, miss, and truthfully insinuated too! Not to mention that
there is courage in such a speech before Mr. Nelligan, here.”
“Yes--very true--a just remark!” said Joseph, who only overheard a
reference to himself without understanding to what it alluded. And now
a very joyous burst of laughter from the others startled him, while it
covered him with confusion.
“We must make them sing, Nelligan,” said Repton, gayly. “They'll
vanquish us in these tilting-matches of word-fence.--Now, Miss
Henderson, something very plaintive and very sentimental, to suit the
tenderness of a feeling heart.”
“I'll sing for you with pleasure,” said Kate. “Will this suit you?” And
with a short prelude she sang one of those brilliant little snatches
of Venetian melody which seem like the outburst of a sudden
inspiration,--wild, joyous, floating as they are,--wherein such is the
expression that sounds usurp the place of language, and the mind is
carried away by a dreamy fascination impossible to resist.
“How often have I heard that on the Lido!” said Mas-singbred, entering
the room hastily; “and what a glorious thing it is!”
“Then you know this?” said Kate, running her fingers over the notes, and
warbling out another of the popular airs of the same class.
“The last time I heard that,” said Jack, musingly, “was one night when
returning home from a late party, along the Grand Canal at Venice. There
is a single word at the end of each verse which should be uttered by a
second voice. Just as I passed beneath a brilliantly lighted salon, the
sounds of this melody came floating forth, and as the stanza finished, I
supplied the 'refrain.'”
“You?” cried Kate, eagerly.
“Yes; but why do you ask?”
“Do you remember the exact spot?” said she, not heeding his question.
“As well as though I were there only yesterday.”
“Shall I tell you where it was?” He waited, and she went on: “It was
under the balcony of the Mocenigo Palace.”
“Why, this is witchcraft,” cried Jack; “you are perfectly correct.”
“The bouquet that was thrown to you from the window fell into the
water.”
Public-domain text, read in full here on John Shaqi.
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