The Martins Of Cro' Martin, Vol. I (of II)Lever, Charles
History
The Martins Of Cro' Martin, Vol. I (of II)
Lever, Charles
Ireland -- History -- 1800-1837 -- Fiction; Ireland -- Social life and customs -- 19th century -- Fiction
Country neighborhoods are rarely rich in events, and of these, few can
rival a great auction. It is not alone in the interests of barter and
gain thus suggested, but in the thousand new channels for thought thus
suddenly opened,--the altered fortunes of him whose effects have come
to the hammer; his death, or his banishment,--both so much alike.
The visitor wanders amidst objects which have occupied years in
collection,--some the results of considerable research and difficulty,
some the long-coveted acquisitions of half a lifetime, and some--we have
known such--the fond gifts of friendship. There they are now side by
side in the catalogue, their private histories no more suspected than
those of them who lie grass-covered in the churchyard. You admire that
highly bred hunter in all the beauty of his symmetry and his strength,
but you never think of the “little Shelty” in the next stable with
shaggy mane and flowing tail; and yet it was on _him_ the young heir
used to ride; _he_ was the cherished animal of all the stud, led in
beside the breakfast-table to be caressed and petted, fed with sugar
from fair fingers, and patted by hands a Prince might have knelt to
kiss! His rider now sleeps beneath the marble slab in the old aisle, and
they who once brightened in smiles at the sound of his tiny trot would
burst into tears did they behold that pony!
So, amidst the triumphs of color and design that grace the walls, you
have no eyes for a little sketch in water-color,--a mill, a shealing
beside a glassy brook, a few trees, and a moss-clad rock; and yet that
little drawing reveals a sad story. It is all that remains of her who
went abroad to die. You throw yourself in listless lassitude upon a
couch; it was the work of one who beguiled over it the last hours of a
broken heart! You turn your steps to the conservatory, but never notice
the little flower-garden, whose narrow walks, designed for tiny feet,
need not the little spade to tell of the child-gardener who tilled it.
Ay, this selling-off is a sad process! It bespeaks the disruption of a
home; the scattering of those who once sat around the same hearth, with
all the dear familiar things about them!
Public-domain text, read in full here on John Shaqi.
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