The Martins Of Cro' Martin, Vol. I (of II)Lever, Charles
History
The Martins Of Cro' Martin, Vol. I (of II)
Lever, Charles
Ireland -- History -- 1800-1837 -- Fiction; Ireland -- Social life and customs -- 19th century -- Fiction
“Then all I say is that Trinity College may make wonderful scholars, but
turns out mighty weak men of the world!”
“Perhaps so!” said Nelligan, dryly, and with a half-nettled air.
“I suppose you fancy there would be something like slavery in such a
position?” said Scanlan, with a derisive look.
“I know it!” responded the other, firmly.
“Then what do you say to the alternative,--and there is but one only
open to you,--what do you think of spending your life as a follower of
Daniel O'Connell; of being reminded every day and every hour that you
have not a privilege nor a place that he did n't win for you; that he
opened Parliament to you, and made you free of every guild where men
of ability rise to honor? Ay, Joe! and what 's a thousand times
worse,--knowing it all to be true, my boy! Take service with him once,
and if you leave him you 're a renegade; remember that, and bethink you
that there's no saying what crotchet he may have in store for future
agitation.”
“But I never purposed any such part for myself,” broke in Nelligan.
“Never mind, it will fall to your lot for all that, if you don't quickly
decide against it. What's Simmy Crow staring at? Look at him down there,
he's counting every window in the street like a tax-gatherer.” And
he pointed to the artist, who, shading his eyes with one hand, stood
peering at every house along the little street. “What's the matter,
Simmy?” cried he, opening the casement.
“It's a house I'm looking for, down here, and I forget which it is;
bother them, they 're all so like at this time of the year when they 're
empty.”
“Are you in search of a lodging, Simmy?”
“No, it is n't that!” said the other, curtly, and still intent on his
pursuit. “Bad luck to the architect that would n't vary what they call
the 'façade,' and give one some chance of finding the place again.”
“Who is it you want, man?”
“Faix, and I don't even know that same!” replied the artist; “but”--and
he lowered his voice to a whisper as he spoke--“he's an elegant study,--
as fine a head and face and as beautiful a beard as ever you saw. I met
him at Kyle's Wood a week ago, begging; and what with his fine forehead
and deep-set blue eyes, his long white hair, and his great shaggy
eyebrows, I said to myself: 'Belisarius,' says I, 'by all that's
grand,--a Moses, a Marino Faliero, or a monk in a back parlor
discoursing to an old skull and a vellum folio,--any one of these,' says
I, 'not to speak of misers, money-lenders, or magicians, as well;' and
so I coaxed him down here on Saturday last, and put him somewhere to
sleep, with a good supper and a pint of spirits, and may I never, if I
know where I left him.”
“Three days ago?”
“Just so; and worse than all, I shut up the place quite dark, and only
made a hole in the roof, just to let a fine Rembrandt light fall down on
his head. Oh, then, it's no laughing matter, Maurice! Sure if anything
happened to him--”
“Your life wouldn't be worth sixpence before any jury in the county.”
Public-domain text, read in full here on John Shaqi.
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