The Martins Of Cro' Martin, Vol. II (of II)Lever, Charles
History
The Martins Of Cro' Martin, Vol. II (of II)
Lever, Charles
Ireland -- History -- 1800-1837 -- Fiction; Ireland -- Social life and customs -- 19th century -- Fiction
“I suppose by this time,” said Merl, “you are tolerably well satisfied
that Herman Merl is not very easily duped? I mean to say that at least
there are _softer_ fellows to be found than the humble individual who
addresses you.”
“I trust there are, indeed,” said the other, sighing, “or it would be a
mighty poor world for Simmy Crow and the likes of him.”
“Well, I think so too,” said Merl, chuckling to himself. “The wide-awake
ones have rather the best of it. But, to come back to my question, I
was simply going to ask you if the whole of the Martin estate--house,
demesne, woods, gardens, quarries, farms, and fisheries--was not pretty
much of the same sort of thing as this here gallery?”
“How? What do you mean?” asked Crow, whose temper was barely, and with
some difficulty, restrainable.
“I mean, in plain words, a regular humbug,--that's all! and no more the
representative of real value than these daubs here are the works of the
great masters whose names they counterfeit.”
“Look here, sir,” said Crow, rising, and approaching the other with a
face of angry indignation, “for aught I know, you may be right about
these pictures. The chances are you are a dealer in such wares,--at
least you talk like one,--but of the family that lived under this roof,
and whose bread I have eaten for many a day, if you utter one word that
even borders on disrespect,--if you as much as hint at--”
What was to be the conclusion of Mr. Crow's menace we have no means of
recording, for a servant, rushing in at the instant, summoned the artist
with all speed to Miss Martin's presence. He found her, as he entered,
with flushed cheeks and eyes flashing angrily, in one of the deep
recesses of a window that looked out upon the lawn.
“Come here, sir,” cried she, hurriedly,--“come here, and behold a sight
such as you scarcely ever thought to look upon from these windows. Look
here!” And she pointed to an assemblage of about a hundred people,
many of whom were rudely armed with stakes, gathered around the chief
entrance of the castle. In the midst was a tall man, mounted upon a
wretched horse, who seemed from his gestures to be haranguing the mob,
and whom Crow speedily recognized to be Magennis of Barnagheela.
“What does all this mean?” asked he, in astonishment.
Public-domain text, read in full here on John Shaqi.
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