The Martins Of Cro' Martin, Vol. II (of II)Lever, Charles
History
The Martins Of Cro' Martin, Vol. II (of II)
Lever, Charles
Ireland -- History -- 1800-1837 -- Fiction; Ireland -- Social life and customs -- 19th century -- Fiction
[Illustration: 232]
“Well, and what then?” asked he, bluntly.
“Do you forget that I gave you until that time to change your opinion?
that when I was shadowing in this foreground I said, 'Wait 'till I have
done this sketch, and see if you be of the same mind,' and you agreed?”
“This might be very pleasant trifling if nothing were at stake, Miss
Henderson,” said he; “but remember that I cannot hold all my worldly
chances as cheaply as _you_ seem to do them.”
“Light another cigar, and sit down here beside me,--I don't dislike
smoke, and it may, perchance, be a peace calumet between us; and let us
talk, if possible, reasonably and calmly.”
He obeyed like one who seemed to feel that her word was a command, and
sat down on the cliff at her side.
“There, now,” said she, “be useful; hold that color-case for me, and
give me your most critical counsel. Do you like my sketch?”
“Very much indeed.”
“Where do you find fault with it? There must be a fault, or your
criticism is worth nothing.”
“Its greatest blemish in my eyes is the time it has occupied you. Since
you began it you have very rarely condescended to speak of anything
else.”
“A most unjust speech, and an ungrateful one. It was when throwing in
those trees yonder, I persuaded you to recall your farewell address to
your borough friends; it was the same day that I sketched that figure
there, that I showed you the great mistake of your present life. There
is no greater error, believe me, than supposing that a Parliamentary
success, like a social one, can be achieved by mere brilliancy. Party
is an army, and you must serve in the ranks before you can wear your
epaulets.”
“I have told you already,--I tell you again,--I 'm tired of the theme
that has myself alone for its object.”
“Of whom would you speak, then?” said she, still intently busied with
her drawing.
“You ask me when you know well of whom,” said he, hurriedly. “Nay, no
menaces; I could not if I would be silent. It is impossible for me any
longer to continue this struggle with myself. Here now, before I leave
this spot, you shall answer me--” He stopped suddenly, as though he had
said more than he intended, or more than he well knew how to continue.
“Go on,” said she, calmly. And her fingers never trembled as they held
the brush.
“I confess I do envy that tranquil spirit of yours,” said he, bitterly.
“It is such a triumph to be calm, cold, and impassive at a moment when
others feel their reason tottering and their brain a chaos.”
“There is nothing so easy, sir,” said she, proudly. “All that I can
boast of is not to have indulged in illusions which seem to have a charm
for _you_. You say you want explicit-ness. You shall have it. There was
one condition on which I offered you my friendship and my advice. You
accepted the bargain, and we were friends. After a while you came and
said that you rued your compact; that you discovered your feelings for
me went further; that mere friendship, as you phrased it, would not
suffice--”
Public-domain text, read in full here on John Shaqi.
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