The Martins Of Cro' Martin, Vol. II (of II)Lever, Charles
History
The Martins Of Cro' Martin, Vol. II (of II)
Lever, Charles
Ireland -- History -- 1800-1837 -- Fiction; Ireland -- Social life and customs -- 19th century -- Fiction
I thought I had little Nora, my godchild, on my knee,
and was teachin' her “Why are the daisies in the grass?” I can't tell
you how happy I felt!' There it was: the only thing like company to her
poor heart was a dhrame!”
“I do not wonder that you love her, Catty,” said Kate; and the words
fell tremulously from her lips.
“Love her! what's the use of such as me lovin' her?” cried the old
woman, querulously. “Sure, it's not one of my kind knows how good she
is! If you only seen her comin' in here, after dark, maybe, wet and
weary and footsore, half famished with cold and hunger,--out the whole
livelong day, over the mountains, where there was fever and shakin'
ague, and starvin' people, ravin' mad between disease and destitution;
and the first word out of her mouth will be, 'Oh, Catty, how grateful
you and I ought to be with our warm roof over us, and our snug fire to
sit at,' never thinkin' of who she is and what she has the right to, but
just makin' herself the same as _me_. And then she 'd tell me where she
was, and what she seen, and how well the people was bearin' up under
their trials,--all the things they said to her, for they 'd tell her
things they would n't tell the priest. 'Catty,' said she, t' other
night, 'it looks like heartlessness in me to be in such high spirits
in the midst of all this misery here; but I feel as if my courage was a
well that others were drinking out of; and when I go into a cabin, the
sick man, as he turns his head round, looks happier, and I feel as if
it was my spirit that was warmin' and cheerin' him; and when a poor
sick sufferin' child looks up at me and smiles, I 'm ready to drop on my
knees and thank God in gratitude.'”
Kate covered her face with her hands, and never spoke; and now the old
woman, warming with the theme she loved best, went on to tell various
incidents and events of Mary's life,--the perilous accidents which
befell her, the dangers she braved, the fatigues she encountered. Even
recounted by _her_, there was a strange adventurous character that ran
through these recitals, showing that Mary Martin, in all she thought and
said and acted, was buoyed and sustained by a sort of native chivalry
that made her actually court the incidents where she incurred the
greatest hazard. It was plain to see what charm such traits possessed
for her who recorded them, and how in her old Celtic blood ran the
strong current of delight in all that pertained to the adventurous and
the wild.
“'Tis her own father's nature is strong in her,” said Catty, with
enthusiasm. “Show him the horse that nobody could back, tell him of a
storm where no fisherman would launch his boat, point out a cliff that
no man could climb, and let me see who 'd hould him! She 's so like him,
that when there 's anything daring to be done you would n't know her
voice from his own. There, now, I hear her without,” cried the old
woman, as, rising suddenly, she approached the window. “Don't you hear
something?”
Public-domain text, read in full here on John Shaqi.
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