The Martyrdom of MadelineBuchanan, Robert Williams
General
The Martyrdom of Madeline
Buchanan, Robert Williams
Fiction
‘I am a _tradesman_, Margaret, received in certain circles because I
have so much money, rejected in others because I have neither the birth
nor the breeding of an aristocrat. The same measure you mete to Miss
Vere is meted to me--to you also--by those who affect to be our social
superiors. What nonsense it all is! What d--d nonsense!’
Margaret Forster shuddered. She had never before in her life heard her
brother swear, and his use of even so mild an oath showed the situation
to be desperate. She went up to him gently, and put her cheek for his
goodnight salute.
‘I think I had better go now,’ she said. ‘We are both tired, and if
you are really in earnest, we can talk it over to-morrow. Good-night,
James.’
‘Good-night,’ returned Forster, just touching her cheek with his lips.
‘But don’t go till you have heard me out, I have told you that I love
Miss Vere, and that I have proposed to her, but there is something
more.’
‘Yes?’
‘She has refused me--that is all.’
CHAPTER XXIV.--WHITE BIDS A LAST FAREWELL TO BOHEMIA.
All this time Madeline was dwelling with White in a familiar corner of
Bohemia--a quarter of the world which is fast disappearing before the
brand-new dwellings of artistic gentility--and which, when it finally
disappears (as seems inevitable), will take something with it that even
respectability can never quite replace.
The dwellers in Bohemia, now rapidly disappearing like the dear old
quarter itself, had many faults and not a few vices, but these were all
forgotten in the presence of natural charm and irresistible _bonhomie_.
They wore great beards, drank beer, and smoked great pipes; their
clothes were seedy and eccentric, their manners rough and merry, their
tastes the very reverse of refined; they had very little money, but that
little they freely shared among one another; they loved late hours,
wild talk, song-singing, and the social glass; they still regarded the
theatre as an educational institution, and talked with pagan enthusiasm
of the old gods of the stage. They were neither very clever nor very
wise, and they have left no literary monuments to keep their memories
fresh; but they enjoyed life, and in their own rough way respected the
literary craft to which they belonged. For them Bohemia was a pleasant
place.
Public-domain text, read in full here on John Shaqi.
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