The Martyrdom of MadelineBuchanan, Robert Williams
General
The Martyrdom of Madeline
Buchanan, Robert Williams
Fiction
The gathering was a very quiet one Ponto’s house, situated in the
dismally aesthetic region of Chiswick, was a small but elegant artistic
villa, furnished in the superbest spirit of enlightened chilliness and
elegant squalor. There, in a tiny reception room with golden-spotted
walls and a cerulean ceiling, some dozen gentlemen and about half a
dozen ladies assembled; among the company being the young aesthetic
poets, Botticelli Jones and Omar Milde; Lady Milde, mother of the bard,
known in her girlhood as the fair ‘Lachryma’ of the albums; Gass and
Barbius, Ponto’s brother-critics; the editor of the ‘Megatherium’;
Clothilde Max, daughter of the Teutonic patriot, Hermann Max; and a
few others. The affair was affecting, if not festive. There were gay
spongecakes and nondescript confectionery on a sideboard, together with
the finest Marsala wine, for those who sought refreshment. When, in
a few well-chosen words, Ponto wished Godspeed to the guest of the
evening, several persons present were dismally affected. Gavrolles,
more than usually jubilant, replied, thanking perfidious Albion, in the
person of its noblest representatives, for their cordial treatment of
him, a stranger, an exile. He had come to them on his merits, a poor
_artiste_, a lover of the beautiful, a pupil of Gautier, and they had
received him as a brother. He should bear back to his beloved Paris the
memory of their kindness. He should inform his countrymen that France
and England were thenceforth bound together by a tie stronger than
all commercial treaties--the tie of sympathy in poetic aspirations, in
divine Art. He should tell his compatriots that even in England, despite
its Philistinism, despite its climate, there were singers as sweet
and critics as profound as even those who possessed the inestimable
advantages of a Parisian education. Need he mention, as a sample of all
that was superb in song, his friend, Botticelli Jones? Need he cite,
as an example of all that was subtle in perception and perfect in
expression, the name of his friend and host--nay, might he not say, his
brother?--Ponto, prince of critics?
The lank and limp ladies clung around him, with every expression of
sympathy and affection, until the hour of parting came. Then Gavrolles,
with tears in his eyes, read aloud, with considerable emphasis, a French
sonnet which he had composed for the occasion, and in which the names
of many present were touchingly introduced. This effusion was
afterwards passed from hand to hand until it reached the editor of
the ‘Megatherium,’ who claimed the privilege of publishing it in the
forthcoming number of his journal, along with a reply (in the same
language) from Young Botticelli Jones. Finally, the party separated, and
Gavrolles, triumphant, drove home to his lodgings in a hansom cab.
The next evening, bearing with him in a small portmanteau and a morocco
hand-bag all his worldly goods, Gavrolles left Charing Cross by the
night mail, _en route_ for Boulogne.
Public-domain text, read in full here on John Shaqi.
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