The Martyrdom of MadelineBuchanan, Robert Williams
General
The Martyrdom of Madeline
Buchanan, Robert Williams
Fiction
was uttered with a melancholy so infinite, pathos so despairing, that
Sutherland, who had heard the excitement and enthusiasm, felt the words
sink like lead into his heart. His own face was livid now, despite its
tan, and a shiver ran through his veins.
A scene or two later, when Imogen is transformed into
Fidele, the actress still held her audience, but with a less mysterious
fascination. In her boy’s dress, which was charmingly delicate and
becoming, she fully warranted the exclamation of Belarius on first
beholding her:
By Jupiter, an angel! or, if not,
An earthly paragon! Behold divineness
No elder than a boy.
Her acting, moreover, was pathetic in the extreme; and thenceforth,
until the end of the play, her success was assured.
The curtain fell. Call after call greeted the actress, who looked
completely exhausted by her efforts, and could scarcely conjure up a
smile, as she accepted the bouquets which had been liberally provided
for her. White sat in the dark background of a box, crying for joy.
As the audience streamed out of the theatre, Sutherland came shoulder
to shoulder with little Crieff, who had invited him to sup at the
Harum-Scarum.
‘How glum you look!’ said Crieff. ‘Are you disappointed?’
‘Disappointed, no!’
‘You don’t seem to share the general enthusiasm?’
‘I do share it, but, as I told you, I am no judge of acting.’
‘Well, come and hear what the night-birds say about it. Shall we walk to
the club? It’s only a few streets off.’
Arm-in-arm in the moonlight the two men walked away. Sutherland had
lighted a cigar, and now, while the other chattered, he scarcely uttered
a word.
CHAPTER XIX.--THE HARUM-SCARUMS.
Mr. J. Watson Crieff was assistant editor of the ‘Charing Cross
Chronicle,’ an evening newspaper devoted to smart writing and the
conservation of Church and State. He was a hard-working Scotchman, with
no pretensions to literary attainments, but honourably connected with
journalism in many ways. He was not a regular theatre-goer, still less a
professed critic, but he sometimes, as on the present occasion, went to
see a Shakespearian performance, and wrote about it afterwards honestly
and well.
Public-domain text, read in full here on John Shaqi.
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