The Martyrdom of MadelineBuchanan, Robert Williams
General
The Martyrdom of Madeline
Buchanan, Robert Williams
Fiction
The longer she remained with White the more she became impressed with
the painful change that had taken place in Madeline. It was not that
the child had become a woman, and had learnt to subdue her spirits to
a sadder, more womanly tone; her soul was haunted by a memory which
poisoned every pleasure which was lifted to her lips, and converted the
world into a tomb. What the memory was, Madame could not understand, but
she knew, whenever the girl’s prospects seemed brightest, it haunted
her the most, and that on that night when she had shone forth upon the
world, and made hundreds envy her, it seemed to loom before her eyes
more terribly than ever.
For several days after that night when she had achieved her great
theatrical triumph, Madeline was too much occupied with business to give
much thought to herself. She seemed to be lifted on a whirlwind, and
carried along in tumult--forgetting the past, thinking nothing of the
future, and scarcely conscious even of the bewildering present.
On the third morning, however, a note arrived which dispelled the dream
that enveloped her, and brought her to herself again. The note had been
placed among many others upon the breakfast table. She looked twice
or thrice at the handwriting, then opened the envelope, and read as
follows--
_My dear Ophelia,--For the last few days I have been looking every hour,
nay, every minute, for a visit from you. Am I to be again honoured by a
visit from you in my studio, or may I take the liberty of waiting upon
you? I have been putting one or two finishing touches to my work, but
without the presence of the original I cannot bring it to completion.
Accept my friendly homage, which must be to you like a drop of water to
the ocean._
_Blanco Serena._
Having perused the note, Madeline laid it down again upon the table and
looked round the room. How poverty-stricken it looked; how opposed to
everything in the house of the successful painter who wrote that letter!
She turned to White, who sat near her with his head buried in the folds
of the ‘Times.’
‘Mr. Serena thinks that success has turned my head,’ she said quietly.
‘I must undeceive him by giving him my last sitting for “Ophelia”
to-day.’
Accordingly, as soon as the breakfast was over, White retired to his
studio, and Madeline went on her way.
On arriving at the house of Mr. Blanco Serena, she was made to feel her
new greatness more than ever she had done before. The servant in livery
looked at her with unusual respect, as he led her solemnly through long
corridors to the studio, and ushered her into the presence of the great
man himself.
Public-domain text, read in full here on John Shaqi.
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