The Masculine Cross: A History of Ancient and Modern Crosses and Their Connection with the Mysteries of Sex Worship; Also an Account of the Kindred Phases of Phallic Faiths and PracticesAnonymous
Religion
The Masculine Cross: A History of Ancient and Modern Crosses and Their Connection with the Mysteries of Sex Worship; Also an Account of the Kindred Phases of Phallic Faiths and Practices
Anonymous
Crosses; Phallicism
In order to get rid of this difficulty, several learned commentators have
interpreted the word _hhereth_ (graving-tool) as meaning like _hharith_, a
bag, pocket, or purse, causing the passage to read, "He received them at
their hands, and put it (the gold) into a bag, and made it a golden calf."
Dr. Beke thinks this untenable on the ground that as Aaron must
necessarily have collected the golden earrings together before casting
them into the fire, it is hardly likely that express mention would be made
of so trivial a circumstance as that of his putting them into a bag merely
for the purpose of immediately taking them out again.
The root _hharath_, according to Gesenius, has the meaning of to cut in,
to engrave; and one of the significations of the kindred root _pharatz_ is
to cut to a point, to make pointed. "Hharithim, the plural of hhereth, is
said to mean purses, bags for money, so called from their long and round
shape, perhaps like an inverted cone; whence it is that Bochart and others
acquired their notion that Aaron put the golden earrings of the Israelites
into a bag."[15]
Dr. Beke remarks:--"If the word _hhereth_ signifies a bag, on account of
its resemblance to an inverted cone, it may equally signify any other
similarly-shaped receptacle or vessel, such as a conical fire-pot or
crucible; and if the golden earrings were melted in such a vessel, the
molten metal, when cool, would of course have acquired therefrom its long
and round form, like an inverted cone, which is precisely the shape of the
_egel_ made by Aaron, on the assumption that this was intended to
represent the flame of fire. Consequently, we may now read the passage in
question literally, and without the slightest violence of construction, as
follows: 'And all the people brake off the golden earrings which were in
their ears, and brought them unto Aaron. And he received them at their
hands, and placed it (the gold) in a crucible, and made it a molten cone;'
this cone having taken the long and rounded form of the crucible in which
it was melted and left to cool."
An argument in favour of this reading is certainly supplied by Exodus
xxxii. 24, where Aaron is represented as saying to Moses, when trying to
excuse his action, "I said unto them, Whosoever hath any gold, let them
break it off. So they gave it me: then I cast it into the fire, and there
came out this calf" [or cone?]. It is contended that "the whole tenour of
the narrative goes to show that the operation of making the idol for the
children of Israel to worship must have been a most simple, and, at the
same time, a very expeditious one, such as the melting of the gold in a
crucible would be, but which the moulding and casting of the figure of a
calf, however roughly modelled and executed, could not possibly have
been."
Public-domain text, read in full here on John Shaqi.
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