The Masculine Cross: A History of Ancient and Modern Crosses and Their Connection with the Mysteries of Sex Worship; Also an Account of the Kindred Phases of Phallic Faiths and PracticesAnonymous
Religion
The Masculine Cross: A History of Ancient and Modern Crosses and Their Connection with the Mysteries of Sex Worship; Also an Account of the Kindred Phases of Phallic Faiths and Practices
Anonymous
Crosses; Phallicism
Supposing the philological argument to possess any weight--and that it
does has been admitted even by those who regret the cone theory,--there
are other circumstances which certainly may be adduced in confirmation
thereof. For instance, the word _cheret_ translated graving-tool, may mean
also a mould. Again, it does not appear at all likely that the quantity of
gold supplied by the ear-rings of the people would be sufficient to make a
solid calf of the size. True, it may have been manufactured of some other
material and covered with gold; but the easier solution of the difficulty
certainly seems that which suggests that Aaron took these ornaments and
melted them in a crucible of the ordinary form, afterwards turning out
therefrom, when cold, the golden cone to which the people rendered
idolatrous worship.
The whole subject is surrounded with difficulty, and men of equal learning
and ability have taken opposite sides in the discussion, supporting and
refuting in turn. Passing over the dispute as to whether Aaron simply
received the ear-rings in a bag or whether he graved them with an
engraving tool,--the first warmly argued by Bochart, and the latter by Le
Clerc--a dispute we can never settle owing to the remarkable ambiguity of
the language, we may briefly notice the question, supposing it was a calf
made by Aaron, what induced and determined the choice of such a figure?
Nor must it be supposed that _here_ we are upon undebatable ground; on the
contrary, the same divergence of opinion prevails as with respect to the
previous question. Fr. Moncaeus said that Aaron got his idea on the
mountain, where he was once admitted with Moses; and on another occasion
with Nadab and Abihu, and the seventy elders. This writer and others tell
us that God appeared exalted on a cherub which had the form of an ox.
Patrick says that Aaron seems to him to have chosen an ox to be the symbol
of the Divine presence, in hope that people would never be so sottish as
to worship it, but only be put in mind by it of the Divine power, which
was hereby represented,--an ox's head being anciently an emblem of
strength, and horns a common sign of kingly power. He contends that the
design was simply to furnish a hieroglyphic of the energy and power of
God.
The usual explanation is that Aaron chose a calf because that animal was
worshipped in Egypt. That the Israelites were tainted with Egyptian
idolatry is plain from Joshua's exhortation:--"Now therefore, fear the
Lord, and serve him in sincerity and in truth; and put away the gods which
your fathers served on the other side of the flood, and in Egypt, and
serve ye the Lord" (Josh, xxiv., 14). Also Ezekiel xx., 7 and 8:--"They
did not every man cast away the abominations of their eyes, neither did
they forsake the idols of Egypt."
Public-domain text, read in full here on John Shaqi.
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