Identity of construction is maintained even in details which I had at
first regarded as a feat peculiar to the Osmia. Let us recall her
compartment-building secret. If the reed be of middling diameter, the
cell is first stocked with provisions and next bounded in front with a
partition run up then and there, without any pause in its construction.
If the reed, without being excessively wide, be of a certain thickness,
the Osmia, before stowing away the victuals, gets to work on the front
partition, providing it with an opening at the side, a sort of
service-hatch, through which the honey is more easily discharged and
the egg more easily placed in position. Well, this secret of the
service-hatch, which was revealed to me by the glass tube, is as
well-known to the Odynerus as to the Osmia. She, too, in the bigger
reeds, finds it to her advantage to close the larder in front before
bringing the game; she shuts the cell with a door provided with a sort
of wicket, through which the victualling and the laying are done. When
everything is finished inside, a plug of mortar closes the hatch.
I did not of course see the Odynerus working at her partition with its
wicket-door, as I saw the Osmia performing in my glass tubes; but the
work itself speaks quite plainly of the method followed. In the centre
of the partitions in the medium reeds there is nothing in particular to
be seen; in the centre of the partitions in the larger reeds there is a
circular aperture, afterwards filled with a plug, which always differs
from the rest of the partition by projecting inwards and sometimes
differs in colour. The thing is obvious: the small partitions are made
in one spell, whereas the work on the larger ones is interrupted and
then resumed.
As we see, it would be pretty difficult to distinguish the Odynerus’
nest from the Osmia’s, if our enquiries were confined to the cells. One
characteristic, however, and not the least curious enables an attentive
eye to tell the owner without opening the reed. The Osmia closes her
dwelling with a thick plug of earth similar in nature to that employed
for the partitions. The Odynerus, it goes without saying, does not
neglect this means of defence: she, too, makes a solid stopper; but to
the unsophisticated method of the Osmia she adds the resources of a
more highly-finished art. Over her earthen stopper, a thing liable to
be spoilt by frost and damp, she spreads, on the outside, a good thick
layer of a composition of clay and chopped-up woody fibres. It matches
the red wax with which we seal the corks of our bottles.
Public-domain text, read in full here on John Shaqi.
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