Aristocracy (Social class) -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rich people -- Fiction
She had brought a “rattling good lot” with her; smart women and cheery
men who could ride to hounds all day and play bac’ all night, or run
twenty miles to see an otter-worry and be as “fresh as paint” next
morning; people with blue blood in their veins, and good old names,
and much personal beauty and strength, and much natural health and
intelligence; but who by choice led a kind of life beside which that of
an ape is intellectual and that of an amœba is useful; people who were
very good-natured and horribly cruel, who could no more live without
excitement than without cigarettes, who were never still unless their
doctor gave them morphia, who went to Iceland for a fortnight and to
Africa for a month; who never dined in their own homes except when they
gave a dinner-party, who could not endure solitude for ten minutes, who
went anywhere to be amused, who read nothing except telegrams, and who
had only two cares in life--money and their livers.
They came down to Vale Royal to be amused, to eat well, to chatter
amongst themselves as if they were on a desert island, to carry on
their flirtations, their meetings, their intrigues, and to arrange the
pastimes of their days and nights precisely as they pleased without the
slightest reference to those who entertained them.
“What would you like to do to-morrow?” their host had ventured to say
to one of them, and the guest had replied, “Oh, pray don’t bother;
we’re going somewhere, but I forget where.”
They had brought a roulette-wheel with them, and cards and counters;
for their leader knew by experience that the evenings without such
resources were apt to be dull at Vale Royal. William Massarene, indeed,
had provided forms of entertainment such as were unattainable by the
limited means of the Roxhall family. He had caused admirable musicians,
good singers, even a choice little troupe of foreign comedians, to
be brought down for this famous week in which the azure eyes of his
divinity smiled upon him under his own roof-tree. But there was one
diversion which she considered superior in its attractions to anything
which tenors and sopranos, viols and violins, or even Palais Royal
players, could give her, and that diversion she took without asking
the permission of anybody. There was a with-drawing-room at Vale Royal
which was always known as the Italian Room because some Venetian
artist, of no great fame but of much graceful talent, had painted
ceiling and walls, as was proven by old entries in account books of the
years 1640-50, contained in the muniment-room of the Roxhalls. On the
third night after their arrival, when they were all in this Italian
room, after a short performance by the Parisian comedians, a long
table of ebony and ivory was unceremoniously cleared of the various
objects of art which had been placed on it, and the roulette-wheel was
enthroned there instead by the hands of Lady Kenilworth herself, and
the little ball was set off on its momentous gyrations.
Public-domain text, read in full here on John Shaqi.
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