Aristocracy (Social class) -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rich people -- Fiction
Katherine rose from her seat by the pianoforte and came to her
father’s side. Indignation shone in her lustrous eyes, while a flash of
pain, of shame, and of anger burned on her cheeks.
“Father, oh, father!” she said in a low, intense murmur, “send them
away! They insult you every hour, every moment! Why do you endure it?
Turn them all out to-morrow morning!”
“Mind your own business! Do I want any lessons from you, damn you?”
said Massarene, in a sullen whisper, more infuriated by her perspicuity
than by the facts on which her appeal to him was based.
His daughter shrank a little, like a high-spirited animal unjustly
beaten--not from fear, but from wounded pride and mute disgust. She
went back to the pianoforte and opened the book of “Lohengrin.”
He threw himself heavily into an armchair, and took up an album of
Caran d’Ache drawings and bent over it, not seeing a line of the
sketches, and not being able to read a line of the jests appended
to them. All he saw was that lovely figure down there at the
roulette-table, with the forget-me-nots in her glittering hair and at
her snowy bosom, and the turquoise collar round her throat.
“Billy!”
No one had ever called him Billy since the time when he had been a
cow-boy, getting up in the dark in bitter winter mornings to pitchfork
the dung out of the stalls, and chop the great swedes and mangolds,
and break the ice in the drinking-trough. Never in all her life
had his wife ever dared to call him Billy. He knew the name made
him ridiculous; he knew that he was the object of all that ringing
laughter; he knew that he was made absurd, contemptible, odious; but
he would not allow his daughter, nor would he allow any other person,
to say so. He was hypnotized by that fair patrician who threw the mud
in his face; the mud smelt as sweet to him as roses. It was only her
pretty, airy, nonchalant way--the way she had de _par la grâce de Dieu_
which became her so well, which was part and parcel of her, which was a
mark of grace, like her delicate nostrils and her arched instep.
When she had tired of her roulette, it irritated her extremely to
see the large gorgeous form of Mrs. Massarene dozing on a couch and
waking up with difficulty from dreams, no doubt, of cowslip meadows and
patient cows whisking their tails over the dew; and the erect figure of
her daughter sitting beside the grand piano and turning over the leaves
of musical scores.
“Why don’t you send your women to bed, Billy?” she said to him very
crossly. “It fidgets one to see them eternally sitting there like the
Horse Guards in their saddles at Whitehall. Politeness? Oh, is it meant
for politeness? Well, I will give them a dispensation, then. Do tell
them to go to bed; I am sure good creatures like those have lots of
prayers to say before they go to by-bye!”
“Why don’t you and your mother go to your rooms? We are all of us very
late people,” she said, directly, as she passed Katherine Massarene.
Public-domain text, read in full here on John Shaqi.
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