Aristocracy (Social class) -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rich people -- Fiction
“But Lord Hurstmanceaux have never given me even good day, not even
when he’s seen me in your own house, my lady.”
“Don’t say ‘my lady.’ Can’t you break yourself of it? Of course, he’ll
have to speak to you if he marries your daughter. I must get you all
asked to some country house where he goes; the thing will come of
itself. I’ll think it over and tell you where I send him.”
She spoke as if she were telling her major-domo how many people she
expected to dinner.
Mr. Massarene naturally concluded that Hurstmanceaux himself was in the
plot. He did not dare to object further, and temporized by dropping the
subject.
“But--but,” he said with a timid attempt to obtain a _quid pro quo_,
“would you do one little thing to oblige me; would you--would you--not
play, not gamble, any more in my houses?”
He was intensely frightened when he had said it, but he felt that it
might injure him with his coveted constituency if it were known that
there was roulette, real roulette, in his drawing-rooms.
Her eyes grew of a steely coldness, of an electric luminance, and
seemed to transfix him as with barbed arrows. She threw away the end of
her cigarette as she got out of her chair with that graceful abruptness
peculiar to her. “I told you the other night, Billy, where _I_ am the
house is mine. An Irishman said something like that I believe about the
head of the table. Ronnie don’t play. He’ll do the policeman for you
when he marries your daughter. Meanwhile, just let me alone, my good
man, or you’ll be sorry.”
Wherewith she carried her elegant person and her trailing black laces
to the other end of the room where Fabian Delkass, the fashionable
salon-singer, was tuning his great Spanish guitar and softly warbling
fragments of Lassen.
Mouse knew nothing about music and cared as little, but ditties softly
warbled by a very good-looking tenor have attractions outside the
science of melody; she could appreciate the talent of Delkass, because
he never sung a note under twenty guineas each warble. She had sent him
down to Vale Royal, she had arranged that he should receive ten times
as much there as his usual terms for such country house engagements;
in return Delkass, who was _beau garçon_ and very courteous to pretty
women, would be sure to sing something charming at her own afternoons
in London for nothing at all.
She despised artists as a mere flock of sheep; silly edible obscure
creatures; but as she ate a mutton cutlet for luncheon when it was very
well cooked, so she nibbled at an artist now and then, when he was very
much the fashion.
Public-domain text, read in full here on John Shaqi.
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