Aristocracy (Social class) -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rich people -- Fiction
“She appears so,” said Ronald. “But she must dree her weird. She can
no more escape the penalty of being her father’s daughter than a
hangman’s daughter can escape hers.”
It was not a liberal sentiment, but it was one which seemed perfectly
natural and just to the views which he took of life.
He was deeply angry with his sister and Mrs. Raby. It seemed to
him a monstrously bare-faced piece of intrigue to have brought him
and the Massarenes under the same roof. He did not think Katherine
herself privy to it; there had been surprise and trouble as well as
embarrassment in her eyes when he had been led up to her; but he was
sure that her father had been in the plot.
He spoke in his usual tone; not loud, but not very low. He had his back
turned to a grand piano of Erard’s which stood in a recess; but Daddy
Gwyllian had his face turned to it, and he could see through his sleepy
eyes that Katherine Massarene, who with some men around her was at that
moment approaching the instrument, had, though at some distance, heard
the last part of this speech regarding the hangman’s daughter. He was
certain that she had done so by a flush which rose over her face and
a momentary pause which she made. In another instant she had reached
the Erard and seated herself by it. If she had felt any emotion it did
not make her touch less clear, her memory less perfect, as she played
through the grand passage of Beethoven’s Sonata in E flat.
Daddy did not hear the sonata; he was away in the land of dreams,
comfortably hidden behind a huge African palm-tree, his placid round
face looking as innocent as a babe’s in his slumber; even his curiosity
could not keep him awake any longer.
Hurstmanceaux, who loved and understood good music, listened charmed
despite himself; but when the last chords thrilled through the air he
did not join the group which gathered round her, but walked away to
another of the drawing-rooms.
From the distance he could see her as she sat at the pianoforte
receiving the compliments of the men about her; but the expression
of her countenance was proud, cold and bored. She had looked very
different on the Woldshire high road and in the market-place of the
little town.
He felt sorry for her; there was something in her bearing, in her
manner, in her countenance, so far superior to her parentage and
position. She looked like the last scion of some great unfortunate race
rather than the heiress of new ill-gotten millions.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account