Aristocracy (Social class) -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rich people -- Fiction
“It’s really flying in the face of Providence, Ronnie, not to marry the
Massarene heiress,” said Daddy Gwyllian, that evening, in the stalls at
Covent Garden, letting fall his lorgnon, after a prolonged examination
of the Massarene box.
“I never knew that Providence kept a Bureau de Marriage,” replied
Hurstmanceaux, “and I do not see what right you have to speak of that
lady as if she were a filly without a bidder at Tattersall’s.”
“Without a bidder! Lord, no! She refuses ’em, they say, fifty a week.
But you know, Ronnie, you do fetch women uncommonly; look what scores
of ’em have been in love with you.”
“If they have, I am sure it has benefited them very little, and myself
not at all,” replied Hurstmanceaux, very ungraciously.
“She keeps a circular printed--a stamped form of refusal,” said Daddy
Gwyllian with glee. “Sends ’em out in batches. Have a mind to propose
to her myself, just for the fun of getting a circular.”
“Your wit is as admirable as your invention is original,” said
Hurstmanceaux, with much impatience, glancing, despite himself, at the
box on the grand tier, where the classic profile and white shoulders
of Katherine Massarene were visible beside the large, gorgeous, and
much-jeweled person of her mother.
Margaret Massarene disliked the opera-house. What she called the
“noise” always reminded her of the braying of bands and the rattling
of shots on a day of political excitement in Kerosene City. But she
was not displeased to sit in that blaze of light with her di’monds on
her ample bosom, and feel that she was as great a lady as any other
there; and she was proud and pleased to see the number of high and
mighty gentlemen who came to make their bow in her box, and with whom
Katherine “talked music” in the most recondite and artistic fashion.
“That’s the Duchess’s brother down there,” she whispered, as she turned
her lorgnon on Hurstmanceaux.
“It is,” replied Katherine.
“Why don’t he come up here like the rest?” she asked. “He’s the best
looking of them all.”
“He has never left his card on you,” answered her daughter. “It would
be very bad manners indeed if he came here.”
“And why hain’t he left his card? I’m sure we’ve done enough for his
sister.”
“He probably does not feel that any gratitude is obligatory on him. He
probably does not approve of her accepting favors from strangers.”
“Then he’s born a century out of his time,” said Mrs. Massarene, with
the acuteness which occasionally flashed up in her. “In these days, my
dear, everybody takes all they can lay their hands on----”
“Hush!” said Katherine, as Jean de Reszké came on to the stage.
Margaret Massarene would have preferred a companion who would have worn
big pearls, and had some color in her gown, and who would have talked
all through “the music,” and would have made a sign with a flower or a
fan to that handsome man down there to come up with Daddy Gwyllian and
chat with them.
“Why didn’t my lord come up with ye?” she asked, as Daddy did appear.
Public-domain text, read in full here on John Shaqi.
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