Aristocracy (Social class) -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rich people -- Fiction
The bishop of the diocese was awaiting the body, surrounded by minor
clergy, in the little, dusky, venerable church, with its square Saxon
tower and its moss-grown tombstones standing about it in the long grass
(like those of Staghurst and of many an English God’s-acre) under the
yews, which were of vast size and unknown age. The coffin of William
Massarene was placed in the middle of the aisle, as Carnot’s in the
Panthéon, and the wreaths were heaped round it in the grotesque and
odious manner dear to the close of the most vulgar of all centuries.
One of them, made of gloxinias, rose and white, had the card of the
Duchess of Otterbourne attached to it. The sun shone mild and serene;
the birds sang above the black figures of the mourners; the voice
of the venerable prelate droned on like a bumble-bee buzzing on a
window-pane; selections from Weber in E flat were played and vocalized
with exquisite taste by admirable artistes; all the gentlemen present
stood bareheaded and solemn of countenance, trying to look affected and
only succeeding in looking bored. The daughter of the dead man assisted
at the ceremony with revolted taste and aching heart. To her it was
one long sickening penance, painfully ludicrous in its mockery and
hypocrisy and folly. Every word of the burial service sounded on her
ear like the laughter of some demon. Her father’s life had been a long
black crime, none the less, but the greater because one of those crimes
which are not punished but rewarded by men; and he was bidden to enter
into the joy of his Lord!
“Kathleen may say what she likes, but that pretty creature has shown
a deal of heart,” thought Margaret Massarene, kneeling under her
overwhelming masses of crape before the heaps of gummed and nailed
and wired flowers which were considered emblematic of the Christian
religion and her lost William’s soul. The pretty creature represented
by the garland of gloxinias had written her a most affecting and even
affectionate note on the previous evening, saying how grieved she
was that a touch of bronchitis kept her confined to her room, as it
prevented her attendance at the committal to earth of the remains
of her kind and valued friend. That note Margaret Massarene had not
shown to her daughter, but had wept over it and shut it up in her
dressing-box.
“Kathleen’s that hard,” she had thought, as the crowds of South
Woldshire were thinking it, “she wouldn’t be made to believe in the
Duchess’s sorrow if the angels descended from the clouds to swear to
it!”
Outside the church there were two brakes filled with wreaths from less
distinguished givers piled one on another, as if they were garbage;
for these there had been no room in the church. The savages who carry
scalps and weapons to a dead chief’s grave are considerably in advance
of _fin-de-siècle_ England in sense of fitness and consistency in
funeral rites.
Public-domain text, read in full here on John Shaqi.
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