The Master of Game: The Oldest English Book on HuntingEdward, of Norwich
History
The Master of Game: The Oldest English Book on Hunting
Edward, of Norwich
Hunting -- Early works to 1800
We only find _Tallyho_ in comparatively recent English hunting
literature and songs--never, so far as I am aware, before the late
seventeenth century, and it does not occur at all constantly until the
eighteenth century. Neither Turbervile nor Blome nor Cox, in their
books on the various chases, mention such a word, though we find
instruction to the huntsman to say "Hark to him," "Hark forward,"
"Hark back," and "To him, to him"; besides the inevitable "So how
sohow." Neither in Twici, "Master of Game," "Boke of St. Albans,"
Chaucer, or Shakespeare can we find an invigorating _Tallyho_. It
would almost appear as if it were a seventeenth century importation
from across the Channel, which is quite possible, for Henry IV. of
France sent in that century three of his best huntsmen, Desprez, de
Beaumont, and de Saint-Ravy, to the Court of King James I. to teach
the royal huntsmen how to hunt the stag in the French way, English
Court hunting having degenerated into coursing of stags within the
park palings.
_Taïaut_ in France was used solely in the chase of red, fallow, or roe
deer.
HUNTING MUSIC. In the "Master of Game," as in all the earliest hunting
literature, much importance is placed on the huntsman's sounding his
horn in the proper manner in order, as Twici says, that "Each man who
is around you, who understands Hunting, can know in which point you
are in your sport by your blowing." The author of "Master of Game" (p.
170) says he will give us "a chapter which is all of blowing," but he
omitted to fulfil this promise, so that we have only such information
as we can gather in his chapters on stag and hare-hunting. The
differences in the signals were occasioned by the length of the sound
or note, and the intervals between each. Twici expresses these notes
in syllables, such as _trout_, _trout_, _trourourout_. The first of
these would be single notes, with an interval between them, blown
probably with a separate breath or wind for each; the latter would be
three notes blown without interval and with a single breath or wind.
The principal sounds on the hunting horn were named as follows:--
A _Moot_ or _Mote_, a single note, which might be sounded long or
short.
Public-domain text, read in full here on John Shaqi.
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