English fiction -- 19th century; Inheritance and succession -- Fiction; Mystery fiction; Smugglers -- Fiction
"Did you want anything particular with me, George?" she asked in
French, waiting until they were beyond hearing--lest the walls of the
house should possess ears.
"Only to tell you that I had a letter from Emma this morning. I should
not have come up so late but for believing the family were all out."
"What does Emma say?"
"Not much. Emma never does, you know. She sends some kind messages to
you and a kiss to Marie: and she asks how much longer I mean to linger
at Greylands. That is about all."
"But does she ask nothing about Anthony?"
"She asks in a general way, whether we know more yet. Which of course
we do not."
"Have you made anything out of that young Dance, George?"
"Nothing. There's nothing to be made out of him. Except that I feel
convinced the tale he tells is not all true. I was in the Friar's
Keep to-night----"
"And saw nothing?" she eagerly interrupted.
"And saw nothing. It was dark and silent and lonely as usual.
Sometimes I ask myself what it is that I can reasonably expect to
see."
"Yes, I know; you have thought that from the first," she said
reproachfully. "My brain is at work always I have no rest by night
or by day."
"Which is very bad for you, Charlotte: it is wearing you out. This
living, restless anxiety will not bring elucidation any the surer or
quicker."
"Not bring it! But it will. Will my prayers and my anguish not be
heard, think you? God is good."
They parted with the last words. Charlotte Guise, leaning on the
side-gate as she looked after him, raised her eyes to the blue canopy
of heaven: and there and then, in her simple faith, poured forth a few
words of prayer.
CHAPTER XXXI.
CALLING IN THE BLACKSMITH.
Things were swiftly coming to a crisis in Miss Hallet's house, though
that lady was very far from suspecting it. Time had again gone on
since the last chapter, and Walter Dance was about again.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account