The Master of Man: The Story of a SinCaine, Hall, Sir
General
The Master of Man: The Story of a Sin
Caine, Hall, Sir
Infanticide -- Fiction; Isle of Man -- Fiction; Legal stories; Redemption -- Fiction
"I dined with the Home Secretary the following night, and the Lord
Chief Justice, who was among the guests, was warm in his approval.
Acid old fellow with noisy false teeth, but quite enthusiastic about
your defence of law and order. Crime was contagious like disease,
and there was an epidemic of violence in the world now. If society
was to be saved from anarchy then law alone could save it. Some of
their English courts--judges as well as juries--had been criminally
indulgent to crimes of passion. Our little Manx court had shown them
a good example."
"That is very encouraging, Sir."
"Very! And now the last thing I have to tell you is that Tynwald
Court this morning voted a sum for a memorial to your father, leaving
the form of it to me. I've decided on a portrait by Mylechreest,
your Manx artist, to be hung in the Court-house at Castle Rushen.
Mylechreest knew the Deemster (saw him at his last Court, in fact)
and thinks he can paint the portrait from memory. But if you have
any photographs let him have them without delay. And now off you go!
Somebody's waiting for you in the drawing-room."
During the next six months Stowell worked as he had never worked
before. Four hours a day at his office or in the Courts, and
uncounted hours at home. Janet used to say she could never look out
of her bedroom window at night without seeing his light from the
library on the lawn.
Nevertheless he was at Government House every day, and Fenella and he
had their cheerful hours together.
Winter came on. It was such a winter as nobody in the island could
remember to have seen before. First wind that lashed the sea into
loud cries about the coast, blew over the Curraghs with a perpetual
wailing, ran up the glen with a roar, and brought the "boys" out of
their beds to hold the roofs on their houses by throwing ropes over
the thatch and fastening them down, with stones.
Then rain that deluged the low-lying lands, so that women had to go
to market in boats; and then mist that hid the island for a week and
brought more ships ashore than anybody had seen since the days of the
ten black brothers of Jurby who (long suspected of wrecking) were
caught stuffing the box tombs in the churchyard with rolls of Irish
cloth.
But neither wind, nor rain, nor mist, kept Stowell from Fenella.
Clad in boots up to his thighs, with an oilskin coat tightly belted
about the waist and a sou'wester strapped down from crown to chin, he
would cross the mountains on his young chestnut mare, with the island
roaring about him like a living thing, and arrive at Fenella's door
with his horse's flanks steaming and his own face ablaze.
After the wind and the rain came a long frost, which laid its unseen
hand on the rivers and waterfalls, making a deep hush that was like a
great peace after a great war. In the middle of the island (the
valley of Baldwin) there was a tarn into which the mountains drained,
and as soon as this was frozen over Stowell and Fenella skated on it.
Public-domain text, read in full here on John Shaqi.
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