Scotland -- History -- 1689-1745 -- Fiction; Stair, John Dalrymple, Earl of, 1648-1707 -- Fiction
“What are you going to do?” cried Delia, barring his way. “You are not
going back? My God! Look how the flames are mounting—they will cut off
your escape.”
Lord Stair looked up at the kitten.
“It is alive,” he said, “and I cannot let it burn.”
“You are mad!” shrieked Delia, clinging to him. “The house has only a
few minutes to stand—they have gunpowder.”
He pushed her aside.
“Then get you into the garden,” he answered, pointing to the library
door. “There is time for that.”
“Will you leave me? Will you go to your death?”
“My life is of no moment,” he said grimly, “I shall not leave mourners—”
She caught hold of him anew.
“I love you, I love you, and you shall not leave me. I love you—I love
you.”
He gave a little laugh.
“’Tis a strange affection, mistress—it has done the work of hate—let go
of me.”
He twisted his arm free of her, his eyes shone curiously.
“I love you,” she whispered in bitter agony and fell back against the
wall. With no look at her he mounted the stairs; she shrieked after
him, called and cried. He stopped and looked down, she was standing as
he had left her, half within the library door, her way of escape was
clear behind her.
The little cat fled at his approach and galloped ahead of him.
He followed it almost to the top of the house across a landing and
through an open door. By the red light from without he could distinctly
see this room and all that it contained.
It was his wife’s bed-chamber, it looked as if she had that moment left
it; by a chair stood her high-heeled house shoes, and the garden hat
she had worn that morning; her dressing-table was covered with
trinkets, evidently she had taken nothing with her.
He gazed strangely about the room; a little drawing caught his eye; he
knew it well, Samuel Cooper’s portrait of his dead son; he went up to
it and took it from the wall.
She had left it behind, she was Harry’s mother and she had done this
hideous thing.
As he stood in her deserted room among the details redolent of her, he
could think of nothing but this, the bitterness of the thing she had
done; he forgot why he had come here, he forgot the burning house and
Delia, heavily he sat down with the picture in his hand and gazed round
the emptiness.
Irremediable as death and more terrible was this action of hers; he
tried to adjust his mind to the difference it must make to his life.
Then he considered that it was not life but death ahead of them.
Confusion was over him, he could not think clearly; he rested his head
against his arm and groaned aloud, then the image of Tom Wharton
flashed through his agony and he rose with a bitter curse.
He slipped the picture into his pocket; where were they now? On the
road to London—London. Something soft brushed against him, and he
mechanically glanced down.
It was the black cat.
He remembered now why he had come and laughed weakly at his own folly
as he caught up the kitten and thrust it inside his waistcoat.
Public-domain text, read in full here on John Shaqi.
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