Love stories; Villages -- Fiction; Violinists -- Fiction
From the crucible of Eternity, Time, the magician, draws the days. Some
are wholly made of beauty; of wide sunlit reaches and cool silences.
Some of dreams and twilight, with roses breathing fragrance through the
dusk. Some of darkness, wild and terrible, lighted only by a single
star. Others still of riving lightnings and vast, reverberating
thunders, while the heart, swelled to bursting, breaks on the reef of
Pain.
It seemed as though Lynn's heart were rising in an effort to escape. "I
must keep it down," he thought. It was like an imprisoned bird, cut,
bruised, and bleeding, beating against the walls of flesh. And yet,
there was a hand upon it, and the iron fingers clutched unmercifully.
Iris had gone, and the dream was at an end. Iris had gone, flouting him
to the last, calling his love an insult. "Machine--clod--mountebank"--
the bitter words rang through his consciousness again and again.
It might be true, part of it at least. Herr Kaufmann had told him, more
than once, that he played like a machine. Clod? Possibly. Mountebank?
That might be, too. Trickster with the violin, trickster with words?
Perhaps. But a thing without a heart? Lynn laughed bitterly and put his
hand against his breast to quiet the throbbing.
No one knew--no one must ever know. Iris would not betray him, he was
sure of that, but he must be on his guard lest he should betray himself.
He must hide it, must keep on living, and appear to be the same. His
mother's keen eyes must see nothing amiss. Fortunately, he could be
alone a great deal--outdoors, or practising, and at night. He shuddered
at the white night through which he had somehow lived, and wondered how
many more would follow in its train.
Suddenly, he remembered that it was his lesson day, and he was not
prepared. Common courtesy demanded that he should go up to Herr
Kaufmann's, and tell him that he did not feel like taking his
lesson--that he had a headache, or something of the kind--that
he had hurt his wrist, perhaps.
He hoped that Fraeulein Fredrika would come to the door, and that he
might leave his message with her, but it was Herr Kaufmann who answered
his ring.
"So," said the Master, "you are once more late."
"No," answered Lynn, refusing to meet his eyes, "I just came to tell you
that I couldn't take my lesson to-day. I don't think," he stammered,
"that I can ever take any more lessons."
"And why?" demanded the Master. "Come in!"
Before he realised it, he was in the parlour, gay with its accustomed
bright colours. One look at Lynn's face had assured Herr Kaufmann that
something was wrong, and, for the first time, he was drawn to his pupil.
"So," said the Master. "Mine son, is it not well with you?"
Lynn turned away to hide the working of his face. "Not very," he
answered in a low tone.
"Miss Iris," said the Master, "she will have gone away?"
It was like the tearing of a wound. "Yes," replied Lynn, almost in a
whisper, "she went this morning."
Public-domain text, read in full here on John Shaqi.
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