Love stories; Villages -- Fiction; Violinists -- Fiction
Doctor Brinkerhoff had asked permission to bring his friend, and it
would be so simple to give it. So easy to say: "Doctor, it would give me
pleasure to meet your friend, Herr Kaufmann. Will you not bring him with
you next Wednesday evening?" But, after all the years, all the sorrow
that lay between them, would she wish Doctor Brinkerhoff to be there?
Was it not also taking an unfair advantage of the Master, to send for
him, and then suddenly confront him with his sweetheart of long ago?
Margaret put the plan aside without further thought.
And Lynn--would she wish Lynn to bring Herr Kaufmann? Would she want her
son to tell him that she was the woman he had loved in vain a quarter of
a century ago? Margaret flushed crimson as she imagined the meeting.
Lynn did not know that it was the Master--only that she had cared for
someone whom she did not marry. Would she wish Lynn to stand by,
surprised and perhaps troubled? Her heart answered no.
The note, too, would be an unfair advantage. He would not know "Margaret
Irving," and she could not well write that they had once loved each
other. After all, she had only Doctor Brinkerhoff's word for it, and he
might be mistaken. Even the Master might be labouring under a
delusion--might only think he cared.
The after-meetings are often pathetic, between those who have loved in
youth. Circumstance parts two who vow undying devotion, and one,
perhaps, remains faithful, while the other forgets. Sometimes, both
marry elsewhere, each with the other's image securely hidden in those
secret chambers of the heart, which twilight and music serve best to
open.
Time, that kindly magician, softens the harsh outlines, eliminates every
defect, and, by his wondrous alchemy, transmutes the real to the ideal.
Thus in one's inmost soul is enshrined the old love, with countless
other precious things.
Rue lies at the threshold, for Regret, like a sentinel, guards the door,
and to enter, one must first make peace with Regret. The labyrinthine
passages are hung with shining fabrics, woven of long-dead dreams. The
floor is deeply hidden with rosemary, that homely, fragrant herb which
means remembrance. The light is that of a stained-glass window, where
the sun streams through many colours, and illumines the utmost recesses
with a rainbow gleam.
Costly vessels are there, holding Heart's Desire, which must wait for
its fulfilment until immortal dawn. Heart's Belief is in a chest, laid
away with lavender, but the lock is rusty and does not readily yield.
Heart's Love, sweet with spikenard, waits near the door, so eager to
pass the threshold, where stands Regret!
Public-domain text, read in full here on John Shaqi.
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