The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty ModeyneMacfall, Haldane
General
The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty Modeyne
Macfall, Haldane
Bohemianism -- Fiction; London (England) -- Fiction; Paris (France) -- Fiction
Sitting next to him, and admiring himself in a mirror opposite, was his
friend the poet Aubrey, who, it must be acknowledged, paid but little
attention to anyone but himself. As Noll entered the place Myre’s loud
drawl was giving utterance to the innuendo that the love of woman was
only worth the seeking in order “to take her soul up by the roots and
examine it”; on which Aubrey had raised a laugh somewhat at his own
cost and yet with a certain vague undefined loss to the Quogge Myre, by
saying:
“I personally am content to take up my own soul by the roots and
examine it.”
When the ironic applause and laughter were run down, Aubrey, still
gazing at himself, said:
“That laugh is sheer affected hypocrisy. I am of the only
importance--that is the only real heart’s creed of man.” And he added
lovingly: “I thank God that I am beautiful--very beautiful.”
It was a historic night....
Quogge Myre had been irked of late by the perpetual reference to him
as the English Zola. He felt that he ought to be original. He saw that
he must again strike a new and original note. Above all he felt that
Realism was running dry--the public were grown used to it; nay, worse,
the public had accepted it at his estimate.
On this evening he had planned the surprise of a great Renunciation.
One or two sonnets had been given by poets, as was the custom in
Parisian students’ taverns, before Myre himself arose to read an essay
he had just written, and thus give to the privileged few the advantage
of the earliest communion with his latest thought.
He astounded them that were gathered about him by attacking Zola and
Realism with bitterness; and he solemnly announced his decision to
break with the movement for ever.
All these little men stared aghast--they had only just acquired the
style and method and some little vogue upon their capture of the tricks
of this very Realism. And for a few moments they were dumbfounded.
Had they not “written each other up” on their mastery of this very
craft!
Even they, like Myre, had discovered that the superficial tricks were
easily captured.
But, as Myre read, they began to glow, as though in some measure
sharing in his greatness--he put that hint to them with subtlety.
Public-domain text, read in full here on John Shaqi.
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