The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty ModeyneMacfall, Haldane
General
The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty Modeyne
Macfall, Haldane
Bohemianism -- Fiction; London (England) -- Fiction; Paris (France) -- Fiction
I’ll be cuttin’ the nose off of ye! But as he said to me himself,
there’s one law for genius, Devlin, and there’s another law for the
middle classes; and it’s bad morals of the middle classes to try and
usurp the weaknesses of their betters, says he. By the book, yes; he
had the hall-mark of genius on him--he had the divil’s own contempt for
the middle classes. They were like orange-peel under the great heels
of the man.... Po’try’s a pagan callin’, says he, when all’s said--and
if ye’re goin’ to make po’try ye’ve got to live it like a pagan, says
he. And, by jewry, he did. Pagan he was--as Pompey’s pillar. Eh, sorr?
Can’t I remimber anny-thing he wrote?... God knows. They tell me it
was mostly poems; but I keep to the accidents and the police reports,
wid a dash of the politics, in the newspapers--the damned rhymes
and superfluities always take my attention from the meanin’ of the
sense--I’m that nervous all the time that the fellow will get his rhyme
nately fixed up in the next line, by the popes I always forgit what the
tune’s about.”
He stood off, and, head on one side, looked at the youth’s clean-shaven
face with the air of an artist.
“Mind ye, sorr,” said he, damping the soap off his face--“I’m not
blamin’ the poets. That’s a queer onnatural life they lead. Mr. Myre,
that was in here just now, was complainin’ to another genius of the
damn hard life of it he had, what wid the sinfulness of his natural
nature, and his emotions, and the doing of things that wasn’t expected
of him, and all the celebrated women after him--but now, _there’s_
a man that stands to his principles like a hairy Afghan to his
fowlin’-piece--he was sayin’ that an artist must have _lived_--and it
is a part of his sacrifice to himself that he should debauch himself
for the good of posterity, otherwise he only guesses at life like the
maiden aunt lookin’ furtively over the window blind at the drama of the
street. Begod, it’s the keen satirical tongue he has, Mr. Myre, when
he’s pullin’ the leg of the maiden aunt.... _And_ the self-respect av
him!”...
CHAPTER XXI
_Which discovers a Great Man in the Hour of his Triumph_
Mr. Quilliam O’Flaherty Macloughlin Myre stood at the windows of the
best rooms of the best hotel in London--he enjoyed the fine view, the
great reach of the Thames--the towers and ancient majestic piles and
many-windowed warehouses turning to fairy palaces in the lilac haze of
the coming twilight.
The great actress’s infatuation for him brought him his every desire in
these days; and he felt that such was as it should be--it was pathetic
to think of the number of common-minded persons who must have lived
in that room and seen no beauty in the world. Nay, it was a crime. He
sighed that Nature was so wasteful.
He stood, his hands behind his back, his colourless hair with its
untidy forelock over his paste-coloured forehead, a smirk under his
drooping, ill-kempt moustache. His sloping shoulders shrugged content:
“God!” said he--“this is my day.”
Public-domain text, read in full here on John Shaqi.
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