The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty ModeyneMacfall, Haldane
General
The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty Modeyne
Macfall, Haldane
Bohemianism -- Fiction; London (England) -- Fiction; Paris (France) -- Fiction
hear their literary criticism destroy a life’s work in a _mot_, fling
immortal honour in a phrase, tossed in epigram across the table, and
back again another as keen-edged--the last gossip of the stage--the
loud hilarious scandal.... I can see Rodolph, the brows wrinkled in
mighty furrows of keen attention as the poets read their lines--can
hear his bravas that made men rich and set their blood tingling--can
pluck out of the dead years the condemning thunders of his dispraise,
can catch his deft wit polishing a blundering line.... But for Rodolph
Salis many a poet, singer, artist had been this day in his garret,
unknown--trudging, down at heels, the Undiscovered Country. But the
artist in him! never forgetting his magnificence that he kept the
tavern of France.... Hoho! I can hear the jovial laugh: ‘My lords,’
he’d cry, ‘the time has come for the nobility and self-respecting
gentlemen to demand a fresh tankard of ale.’ Hoho! that was a king of
tavern lords! Then the golden ale went round--the cloudy absinthe....
And when the room began to fill and the time for shadow-shows to begin,
Salis was in full stride. Affable to his guests, always the good
host, well-bred, polished, good-humoured, giving the stranger rank of
nobility, he would show ‘monseigneur’ with pride of possession the
cats that were limned upon the walls, the sketches, the glories of his
ancient place; and lead the way to the shadow-show upstairs, sketches
of France’s genius on the stair’s walls, hanging everywhere--and he
so proud of it all! I can see him stride up and down the passage of
the shadow theatre up there, as the witty pictures fell in black
silhouette across the white sheet of the theatre’s round proscenium,
his gay laugh, his running whimsical comment on affairs, his fierce
biting denunciations, the flashing green eyes, the nervous white
hand--God! what a fire burned there!... Ah, what songs, what poesie,
what rhapsodies, what quaintly spoken words have sounded within those
walls!... At midnight when the crowd was gone, as we sit here to-night,
he was alone with the wits again--and the wine glowed, and the cloudy
absinthe went round--and there was supper that the gods had envied to
the tune of the wild badinage that was tossed about the board. And he,
Rodolph Salis, the brightest star!... How the ghosts of the Great Dead
have arisen at our summons, and walked there!... Tshah! _there_ was
the Academy of the world.... But--he--one day--found his nerves were
gone--he took to his bed.... Even amidst the rousing chorus in the wind
that passed, his quick ears had heard the Old Reaper’s whetstone upon
the sickle--he heard the whisper of Doom--and the nimble wit of Rodolph
Salis had never missed the intention of the most subtle hint. He tossed
his jibe to Death. And who with more weighty right to the insolence? He
had known life----”
André Joyeux ceased speaking; stood brooding; roused; striding to his
place, he raised a glass--his hand shook----
The room was deathly still.
Public-domain text, read in full here on John Shaqi.
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