The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty ModeyneMacfall, Haldane
General
The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty Modeyne
Macfall, Haldane
Bohemianism -- Fiction; London (England) -- Fiction; Paris (France) -- Fiction
She knew it well. She was in all the beauty of youth--and her perfect
body not only held the glory of the ancient art of the sculpture of
Greece, but it had the exquisite mystery of life in its pleasant
surface which the art of man cannot utter.
So Suzanne led the procession round the huge hall and was borne towards
the tribune where the judges sat.
After the queen of the models came the procession of the rival studios.
From amidst the crested helms and glittering steel of Greek and Roman
soldiery arose the great figure of the war-goddess Bellona, the fury
standing a-tiptoe, sword and shield upraised, head thrust forward
snake-like, her scarlet mouth shrieking at topmost pitch the fierce
yell to war, her black brows gathered in black hate; before her feet
an angry snake, with head upraised, darted a black sullen tongue. As
the great travesty of Gérôme’s awful figure of the lust of blood moved
along, there shone from out the hollows of her staring eyes a pale
green light, cruel and livid. On her gilt chariot she passed, escorted
by her bodyguard of Greek and Roman soldiery, and gave place to the
classic float on which sat the nude young model, Marcelle, posed as
Gérôme’s exquisite statue of Tanagra. Marcelle’s slight and slender
girlish figure at this time made her a serious rival to Suzanne, and
was markedly affecting the whole ideal of womanly beauty and proportion
throughout the studios of France. As she sat, in all the simplicity of
pose of a Tanagra figure, the light making her delicate colour glow,
the cry of hoarse admiration for Bellona changed to a shout for
“Tanagra!”
And shout of Tanagra gave way to
“Marcelle!”
The swords flashed.
Gérôme’s students passed, giving place to other schools, each in its
pageant striving to express the ideals of the art which inspired
its chosen master. The rude groups of the barbaric men who wore
but the shaggy skins of animals; the wild groups of Merovingian
and Carlovingian Franks; the dandified figures of the bewigged and
heavy-booted court of the great Louis; the powdered and patched and
silken-habited gentlemen of the last Louis; the large-lapelled,
long-tail-coated and high-stocked dandies of the Revolution: they all
passed with their triumphal cars, and drew the loud acclamations of the
boisterous revellers.
The splendid procession circled round the great hall, passed the
tribune of the judges to the thrash of the martial music; round and
round again. But amidst the frantic din it was soon known that Gérôme’s
students had won the honours of the night.
As the gladiators and warriors passed the judges’ tribune the last time
before the procession broke up to join the revellers, the twelve judges
stood up in solemn silence, and saluted the goddess of war and the
exquisite figure of the young woman who sat in all the triumph of her
beauty.
Public-domain text, read in full here on John Shaqi.
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