The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty ModeyneMacfall, Haldane
General
The Masterfolk : $b wherein is attempted the unravelling of the strange affair of my Lord Wyntwarde of Cavil and Miss Betty Modeyne
Macfall, Haldane
Bohemianism -- Fiction; London (England) -- Fiction; Paris (France) -- Fiction
The door opened, and in the golden glory of the doorway stood the
ineffable Jonkin. He was dressed like a student, short black coat, big
black tie, velvet waistcoat, corduroy trousers and all; but the dignity
of the gentleman’s gentleman glowed within.
“Yessir!” said he.
“Bring those boxes of black kid gloves, black neckties, and the crape
for these gentlemen to choose from,” said Horace.
“Yessir!” said Jonkin.
He brought the cardboard boxes with stealthy walk, and handed them
about.
“Jonkin,” said Horace--“is everything packed?”
“The serious baggage is all ready, sir,” said Jonkin.
“I want you to take it all away the very first thing in the morning,
and get it out of sight and off to London before the men arrive to
drape the room.”
“Yessir.”
“Not a thing about the place here after to-morrow morning but what will
go into my oldest and most battered bullock-trunk and my portmanteau.”
“Yessir.”
“And you understand you are not to leave any silver-mounted things
about.”
“Yessir.”
“Oh, and Jonkin--reserve me a first-class carriage by the next
morning’s boat-train for Boulogne.”
“Yessir.”
“Be in it yourself.”
“Yessir.”
“With my dressing things.”
“Yessir.”
“And English clothes.”
“Yessir.”
“I will go as far as Amiens third class.”
“Yessir.”
“Oh--and Jonkin----”
“Yessir.”
“If there’s a beastly row in the railway-station and I’m in it, for
God’s sake don’t look anxious, or as if you belong to me.”
“No, sir,” said Jonkin.
CHAPTER LXIX
_Which treats of a Farewell Banquet to Departing Youth--whereat Gaston
Latour glitters with at Hectic Glitter_
The light of many candles set in a row along the white napery of the
table showed but dimly in the large room, for the walls were hung
with the sombre black cloth hangings that are drawn across the doors
of churches in honour of the dead. The glint on plate and china and
glass was chastened and modified by the solemn blackness of decorating
black ribbons--large black bows upon the gilt necks of black bottles
of champagne, narrow black bows upon the handles of knives and forks
and stems of drinking glasses, and round salt-cellar and mustard-pot
and cruet and centre dish. The menus were printed on large black-edged
mourning-cards. Flower-bowls had given place to the painted wreaths of
wire flowers that are placed in graveyards. The tablecloth was strewn
with dead leaves.
The black figures of the waiters, who stood in solemn row to either
side of the table, tricked out in the gloomy garb of hearse-lackeys,
melted into the darkness behind them except for their pale faces, which
caught the up-flung light from the candles that played upon chin and
nostril and eye-pits, and sent shadows up their features, pronouncing
the frown of expectancy with which they waited for the belated guests.
There was a loud blare; a hunting-horn without began to bray the Dead
March in _Saul_.
“Mon Dieu!” said a waiter.
“Silence!” growled the head waiter.
Public-domain text, read in full here on John Shaqi.
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