The Matador of the Five Towns and Other StoriesBennett, Arnold
General
The Matador of the Five Towns and Other Stories
Bennett, Arnold
City and town life -- Fiction; Short stories, English; Staffordshire (England) -- Fiction
It was about two o'clock when his nerves were sufficiently
tranquillized to enable him to envisage the possibility of going to
sleep. And he was just slipping, gliding, floating off when he was
brought back to realities by a terrific explosion of laughter at the
head of the stairs outside his bedroom door. The building rang like the
inside of a piano when you strike a wire directly. The explosion was
followed by low rumblings of laughter and then by a series of jolly,
hearty "Good-nights." He recognized the voices as being those of a
group of commercial travellers and two actors (of the Hanbridge Theatre
Royal's specially selected London Pantomime Company), who had been
pointed out to him with awe and joy by the aforesaid barmaid. They were
telling each other stories in the private bar, and apparently they had
been telling each other stories ever since. And the truth is that the
atmosphere of the Turk's Head, where commercial travellers and actors
forgather every night except perhaps Sundays, contains more good stories
to the cubic inch than any other resort in the county of Staffordshire.
A few seconds after the explosion there was a dropping fusillade--the
commercial travellers and the actors shutting their doors. And about
five minutes later there was another and more complicated dropping
fusillade--the commercial travellers and actors opening their doors,
depositing their boots (two to each soul), and shutting their doors.
Then silence.
And then out of the silence the terrified Mr Cowlishaw heard arising and
arising a vast and fearful breathing, as of some immense prehistoric
monster in pain. At first he thought he was asleep and dreaming. But he
was not. This gigantic sighing continued regularly, and Mr Cowlishaw had
never heard anything like it before. It banished sleep.
After about two hours of its awful uncanniness, Mr Cowlishaw caught the
sound of creeping footsteps in the corridor and fumbling noises. He got
up again. He was determined, though he should have to interrogate
burglars and assassins, to discover the meaning of that horrible
sighing. He courageously pulled his door open, and saw an aproned man
with a candle marking boots with chalk, and putting them into a box.
"I say!" said Mr Cowlishaw.
"Beg yer pardon, sir," the man whispered. "I'm getting forward with my
work so as I can go to th' fut-baw match this afternoon. I hope I didn't
wake ye, sir."
"Look here!" said Mr Cowlishaw. "What's that appalling noise that's
going on all the time?"
"Noise, sir?" whispered the man, astonished.
"Yes," Mr Cowlishaw insisted. "Like something breathing. Can't you hear
it?"
The man cocked his ears attentively. The noise veritably boomed in Mr
Cowlishaw's ears.
"Oh! _That_!" said the man at length. "That's th' blast furnaces at
Cauldon Bar Ironworks. Never heard that afore, sir? Why, it's like that
every night. Now you mention it, I _do_ hear it! It's a good couple o'
miles off, though, that is!"
Mr Cowlishaw closed his door.
Public-domain text, read in full here on John Shaqi.
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