The Mate of the Good Ship York; Or, The Ship's AdventureRussell, William Clark
General
The Mate of the Good Ship York; Or, The Ship's Adventure
Russell, William Clark
English fiction -- 20th century; Sea stories
"Come along below," said he, passing his hand caressingly along the
invisible feathers of the dog's back, "till I dry you and see how you
look, and we'll take a peep at Johnny." And he and the dog vanished.
Just at that moment eight bells were struck. It was midnight, and the
starboard watch must tend the ship till four. Whilst the last chimes
were trembling into the damp, depressing, flapping sounds which clothed
the obscured heights, the chief mate was hailed by a man whose voice
proceeded from abreast of the gangway. Hardy stepped to the companion
where the sheen lay, and exclaimed, "I am here." At the same moment
Mr. Candy came out of the companion and joined him. Before one could
address the other, three figures entered the space of faint saturated
light.
"Here's a man," said one of them, "that's jumped aboard us off the
barque. He come up to me and asked to see the capt'n."
"Which is the man?" said Hardy, straining his sight.
One of them said, "I am, mister. I am French." And then in French he
asked if Hardy spoke that tongue.
"No," answered Hardy. "Come below into the cabin to the captain."
And after a few words with Mr. Candy, who heard now for the first time
that they had nearly been run into by a tall French barque, he went
down the cabin steps, followed by the Frenchman.
In this interior plenty of light was shining, and it was as noontide
after the midnight of the deck. The captain was near the table drying
the dog with a cloth, and talking to him, and praising him as though he
were a man, and the creature's mild and benevolent eyes looked up into
his face, and you read gratitude and affection in the noble brute.
"Who's that?" said the captain, throwing the cloth down, and looking
with a knitted brow at the Frenchman.
"He will explain, sir," Hardy answered.
"Softly," exclaimed the captain, "an angel lies asleep in that cabin,"
and with a melodramatic flourish of his arm, he pointed to the door of
his berth.
The Frenchman looked at Hardy. He was a man of middle height, in a
drill or thin canvas blouse, over which was buttoned at the throat a
rough, old jacket, the sleeves hanging loose. He wore blue trousers
patched with black, stuffed into half-boots bronzed by wear and brine.
His black hair curled upon his shoulders, and he held a cap fashioned
out of some sort of skin. His face was a ghastly yellow; his lips a
vivid red; his nose long, lean, and humped, and the black pupils of his
eyes sparkled in the flashes of the swinging lamp amid their whites,
which, by the way, were crimson with drink or gout, or both. It was a
face to peer at you, malevolently, from a time-darkened canvas, very
picturesque, very romantic, but something that you would not like to
think was treading behind you on a lonely road.
"Who are you?" said the captain, putting his hand upon the head of the
dog, in whose body a sort of rolling noise might have been heard, not
quite a growl, but a note as of suspicion grumbling deep down below the
throat.
Public-domain text, read in full here on John Shaqi.
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