The May Flower, and Miscellaneous WritingsStowe, Harriet Beecher
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The May Flower, and Miscellaneous Writings
Stowe, Harriet Beecher
United States -- Social life and customs -- 19th century -- Fiction
The eldest of her charge, at the time this story begins, was a girl just
arrived at young ladyhood, and her name was Mary. Now we know that
people very seldom have stories written about them who have not
sylph-like forms, and glorious eyes, or, at least, "a certain
inexpressible charm diffused over their whole person." But stories have
of late so much abounded that they actually seem to have used up all the
eyes, hair, teeth, lips, and forms necessary for a heroine, so that no
one can now pretend to find an original collection wherewith to set one
forth. These things considered, I regard it as fortunate that my heroine
was not a beauty. She looked neither like a sylph, nor an oread, nor a
fairy; she had neither _l'air distingue_ nor _l'air magnifique_, but
bore a great resemblance to a real mortal girl, such as you might pass a
dozen of without any particular comment--one of those appearances,
which, though common as water, may, like that, be colored any way by the
associations you connect with it. Accordingly, a faultless taste in
dress, a perfect ease and gayety of manner, a constant flow of kindly
feeling, seemed in her case to produce all the effect of beauty. Her
manners had just dignity enough to repel impertinence without destroying
the careless freedom and sprightliness in which she commonly indulged.
No person had a merrier run of stories, songs, and village traditions,
and all those odds and ends of character which form the materials for
animated conversation. She had read, too, every thing she could find:
Rollin's History, and Scott's Family Bible, that stood in the glass
bookcase in the best room, and an odd volume of Shakspeare, and now and
then one of Scott's novels, borrowed from a somewhat literary family in
the neighborhood. She also kept an album to write her thoughts in, and
was in a constant habit of cutting out all the pretty poetry from the
corners of the newspapers, besides drying forget-me-nots and rosebuds,
in memory of different particular friends, with a number of other little
sentimental practices to which young ladies of sixteen and thereabout
are addicted. She was also endowed with great constructiveness;
so that, in these days of ladies' fairs, there was nothing from
bellows-needlebooks down to web-footed pincushions to which she could
not turn her hand. Her sewing certainly _was_ extraordinary, (we think
too little is made of this in the accomplishments of heroines;) her
stitching was like rows of pearls, and her cross-stitching was
fairy-like; and for sewing over and over, as the village schoolma'am
hath it, she had not her equal. And what shall we say of her pies and
puddings? They would have converted the most reprobate old bachelor in
the world. And then her sweeping and dusting! "Many daughters have done
virtuously, but thou excellest them all!"
Public-domain text, read in full here on John Shaqi.
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