The May Flower, and Miscellaneous WritingsStowe, Harriet Beecher
General
The May Flower, and Miscellaneous Writings
Stowe, Harriet Beecher
United States -- Social life and customs -- 19th century -- Fiction
There they sat in the gallery that lined three sides of the house,
treble, counter, tenor, and bass, each with its appropriate leaders and
supporters; there were generally seated the bloom of our young people;
sparkling, modest, and blushing girls on one side, with their ribbons
and finery, making the place where they sat as blooming and lively as a
flower garden, and fiery, forward, confident young men on the other. In
spite of its being a meeting house, we could not swear that glances were
never given and returned, and that there was not often as much of an
approach to flirtation as the distance and the sobriety of the place
would admit. Certain it was, that there was no place where our village
coquettes attracted half so many eyes or led astray half so many hearts.
But I have been talking of singers all this time, and neglected to
mention the Magnus Apollo of the whole concern, the redoubtable
chorister, who occupied the seat of honor in the midst of the middle
gallery, and exactly opposite to the minister. Certain it is that the
good man, if he were alive, would never believe it; for no person ever
more magnified his office, or had a more thorough belief in his own
greatness and supremacy, than Zedekiah Morse. Methinks I can see him now
as he appeared to my eyes on that first Sunday, when he shot up from
behind the gallery, as if he had been sent up by a spring. He was a
little man, whose fiery-red hair, brushed straight up on the top of his
head, had an appearance as vigorous and lively as real flame; and this,
added to the ardor and determination of all his motions, had obtained
for him the surname of the "Burning Bush." He seemed possessed with the
very soul of song; and from the moment he began to sing, looked alive
all over, till it seemed to me that his whole body would follow his hair
upwards, fairly rapt away by the power of harmony. With what an air did
he sound the important _fa-sol-la_ in the ears of the waiting gallery,
who stood with open mouths ready to seize their pitch, preparatory to
their general _set to_! How did his ascending and descending arm
astonish the zephyrs when once he laid himself out to the important work
of beating time! How did his little head whisk from side to side, as now
he beat and roared towards the ladies on his right, and now towards the
gentlemen on his left! It used to seem to my astonished vision as if his
form grew taller, his arm longer, his hair redder, and his little green
eyes brighter, with every stave; and particularly when he perceived any
falling off of time or discrepancy in pitch; with what redoubled vigor
would he thump the gallery and roar at the delinquent quarter, till
every mother's son and daughter of them skipped and scrambled into the
right place again!
Public-domain text, read in full here on John Shaqi.
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