Mound No. 39 was situated on Wild Cane Cay, a small island off the
southern coast of British Honduras. The island seems to have been built
up with stone and other material brought from the mainland and to
have been used as a burial place. Several small mounds are scattered
over the face of the island; unfortunately most of them had been dug
down for the sake of the stone they contained and the objects from
the graves lost or given away. Those which could be traced consisted
chiefly of copper ornaments, as rings, gorgets, and studs. Mound No.
39, the only one whose contents were ascertained with any degree of
accuracy, was a small circular mound 10 feet high, built of sand and
blocks of reef stone; near the ground level, about the center of the
mound, a single human interment was found, the bones of which were
in an advanced state of decay; mingled with these were: (a) A round
red earthenware pot, containing a few small circular beads made from
conch shell and five or six medium-sized, unused obsidian knives. (b)
A second somewhat larger pot, of the same shape and material, which
contained the upper part of the femur of a deer, on which is incised
the design shown in figure 82. This is neatly executed in shallow
lines; the upper part evidently represents a tiger, or the skin of
that animal, and is separated by a platted design from the lower,
which may be intended as a representation of the God Itzamna. With
the bone were two objects of copper, one a finger ring constructed of
thin flat bands two-fifths inch apart, joined by double scrolls; this
is very much worn, either from use or from oxidization, consequent on
long exposure in the damp soil. The second copper object (fig. 83) was
probably used as a gorget, or for attachment to a headdress, as at
the back is seen a cruciform grille, evidently intended to hold it in
place. This object is in the form of a human face, the lower part with
its large mouth, thick prominent lips, and flattened nose, exhibiting
marked negroid characteristics, which the upper part with its bulging
prominent forehead contradicts. The headdress is ornamented with three
spikes passing along the sagittal suture from front to back, while
under the chin is a projection probably intended to represent a short
beard. The ring and ornament are both strongly suggestive of Spanish
influence, as the face with its thick lips, flattened nose, and bulging
forehead is totally unlike any type with which the Maya were likely to
come in contact, unless, indeed, it were the Carib, who even at this
early date had possibly formed small settlements as far north as the
southern coast of British Honduras. If the objects were of Spanish
origin they were probably obtained from some Spanish settlement farther
north, possibly Bakhalal, as there was no settlement between that town
and the coast of Guatemala till many years after the conquest. That
the cult of Itzamna was still flourishing is shown by the effigy of
Public-domain text, read in full here on John Shaqi.
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