"Who is most wretched in this dolorous place? I think myself; yet I would rather be My miserable self than He, than He Who formed such creatures to his own disgrace. The vilest thing must be less vile than Thou From whom it had its being, God and Lord! Creator of all woe and sin! abhorred, Malignant and implacable! I vow That not for all Thy power furled and unfurled, For all the temples to Thy glory built, Would I assume the ignominious guilt Of having made such men in such a world!" Many, however, are not by adversity made more sure of God, nor are they driven into rebellion against him. They are perplexed. It had been so much easier, in the sheltered and innocent idealism of their youth, to believe in God than it is now. As children they looked on life as they might have listened to Mozart's music, ravished with unqualified delight; but now they know that Mozart died in abject poverty, that the coffin which his wife could not buy was donated by charity, that as the hearse went to the grave the driver loudly damned the dead because no drink money had been given him, and that to this day no one knows where Mozart's body lies. Maturity has to deal with so much more tragic facts than youth can ever know. With all the philosophy that man's wit can supply, the wisest find themselves saying what Emerson did, two years after his son's death: "I have had no experience, no progress to put me into better intelligence with my calamity than when it was new." And in this inevitable wrestling with adversity, the cry of men is not simply for more courage. They might easily steady their hearts to endure and overcome, were only one question's answer clear--is there any _sense_ in life's suffering? The one unsupportable thought is that all life's pain and hardship is meaningless and futile, that it has no worthy origin, serves no high purpose, that in misery we are the sport of forces that have no consciousness of what they do, no meaning in it and no care. Such folk want to believe in God, but--can they? III