So far as the general method of approach is concerned, the Christian
travels the same road to his idea of God. Only he cannot believe that
the best he knows is too good or too great to be a symbol in terms of
which to think of the Eternal. Therefore he will not take a byproduct
of experience such as physical energy, nor a section of personality
such as mind; he takes the full orb of personality, _self-conscious
being that knows and purposes and loves_, and he affirms that God is
most like this. Such in its simplest form is the Christian assertion
of God's personality.
In one of his noblest passages Martineau has put into classic form
this necessity, which we have been discussing, of thinking about God
in terms of human experience: "God, being infinite, can never be fully
comprehended by our minds; whatever thought of him be there, his real
nature must still transcend: there will yet be deep after deep beyond,
within that light ineffable; and what we see, compared with what we do
not see, will be as the raindrop to the firmament. Our conception of
him can never _correspond with the reality_, so as to be without
omission, disproportion, or aberration; but can only _represent the
reality_, and _stand for God_ within our souls, till nobler
thoughts arise and reveal themselves as his interpreters. And this is
precisely what we mean by a symbolical idea. The devotee who
prostrates himself before a black stone,--the Egyptian who in his
prayers was haunted by the ideal form of the graceful ibis or the
monstrous sphinx--the Theist who bends beneath the starry porch that
midnight opens to the temple of the universe--the Christian who sees
in heaven a spirit akin to that which divinely lived in Galilee, and
with glorious pity died on Calvary--all alike assume a representation
of him whose immeasurable nature they can neither compass nor escape.
And the only question is, whether the conception they portray upon the
wall of their ideal temple is an abominable idol, or a true and
sanctifying mediatorial thought."
IV
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account