Matthew Paris gives sketches and brief descriptions of three hospitals in his _Chronica Major_.[74] St. Giles’, near London—“the memorial of Matilda the Queen”—seems to consist of hall and chapel with an eastern tower and another small tower at the south-west (Fig. 10); of the _Domus Conversorum_, London, he says, “Henry built a decent church, fit for a conventual congregation, with other buildings adjoining” (Fig. 3); St. John’s, Oxford, he calls _quoddam nobile hospitale_. (Fig. 1.) The chronicler died in 1259, and these sketches were probably made about ten years previously, when the two latter houses were newly built. [Illustration: 16. HOSPITAL OF ST. JOHN, EXETER] [Illustration: 17. HOSPITAL OF ST. ALEXIS, EXETER] Two thirteenth-century seals depict hospitals at Exeter. Mr. Birch describes that of St. John’s as “a church-like [p108] building of rectangular ground-plan, with an arcade of three round-headed arches along the nave, roof of ornamental shingles, and crosses at the gable-ends.” The artist contrives to show not only one side, but one end, apparently the west front, with entrance. (Fig. 16.) The other seal is that of the neighbouring hospital of St. Alexis “behind St. Nicholas.” (Fig. 17.) The beautiful seal of St. John’s, Stafford (reproduced by the kindness of the Society of Antiquaries) shows architectural features of the transition period between the Early English and Decorated styles. The windows are triple-lancets with a delicately-pierced trefoil above; and an arcade runs round the base. (Fig. 18.) [Illustration: 18. ST. JOHN’S, STAFFORD] Casual references to building in progress occur in records, but they give little information. As early as 1161–3 Pipe Rolls mention works going on at the houses of the infirm at Oxford; there is one entry of over £8 spent on repairs. In 1232 timber was being sent to Crowmarsh to make shingles for the roof of the hospital [p109] church. Land was granted to St. Bartholomew’s, Gloucester, for the widening of their chancel (1265); it is of interest to compare this fact with the elegant Early English work shown in Lysons’ view. (Pl. VI.) There occurs on another roll a licence to lengthen the portico of the Maison Dieu, Dover (1278). The arrangement of most of these buildings is unknown, for frequently not a vestige remains. In many cases they grew up with little definite plan. A private dwelling was adapted, further accommodation being added as funds permitted. The domestic buildings were usually of wood and thatched, which accounts for the numerous allusions to fire. Even St. John’s, Canterbury, which was chiefly of stone, was burnt in the fourteenth century, but some traces of Norman work remain. (Pl. III.)