“It happened once that Hauskuld bade his friends to a feast, and his brother Hrut was there, and sat next to him. Hauskuld had a daughter named Hallgerda, who was playing on the floor with some other girls. She was fair of face and tall of growth, and her hair was as soft as silk; it was so long, too, that it came down to her waist. Hauskuld called out to her, ‘Come hither to me, daughter.’ So she went up to him, and he took her by the chin and kissed her; after that she went away. Then Hauskuld said to Hrut, ‘What dost thou think of this maiden? Is she not fair?’ Hrut held his peace. Hauskuld said the same thing to him a second time, and then Hrut answered, ‘Fair enough is this maid, and many will smart for it; but this I know not, whence thief’s eyes have come into our race.’ Then Hauskuld was wroth, and for a time the brothers saw little of each other.”[196] The picture of Hallgerda will never leave the reader’s mind throughout the story, of which she is the evil genius. It is after she has caused the death of her first husband and is sought by a second, that she is sent for by her father to ask what her mind may be: “Then they sent for Hallgerda, and she came thither, and two women with her. She had on a cloak of rich blue woof, and under it a scarlet kirtle, and a silver girdle round her waist; but her hair came down on both sides of her bosom, and she had turned the locks up under her girdle. She sat down between Hrut and her father, and she greeted them all with kind words, and spoke well and boldly, and asked what was the news. After that she ceased speaking.” This is the woman that the girl has grown to be; and she is still at the beginning of her mischief. Such narrative art discloses both in the tale-teller and the audience an intelligence which sees the essential fact and is impatient of encumbrance. It is the same intelligence that made these Vikings so efficient in war, and in peace quick to seize cogent means.