So Christian piety viewed the matter. But the pious commonly have their temporal fancies, sweet as stolen fruit. These Carolingian scholars, the man in orders and the man without, studied the Latin poets, historians, and orators. And in their imaginative or poetic moods, as they followed classic metre, so they reproduced classic phrase and sentiment in their verses. The men who made such--it might be Alcuin, or Theodulphus, or Walafrid Strabo--chose what they would as the subject of their poems; but the presentation took form and phrase from Virgil and other old poets. The antique influence so strong in the Carolingian period, included much more than matters of elegant culture, like poetry and art, or even rhetoric and grammar. It held the accumulated experience in law and institution, which still made part of the basis of civic life. Rabanus Maurus recognized it thus broadly. And, thus largely taken, the antique survives in the Carolingian time as a co-ordinate dominant, with Latin Christianity. Neither, as yet, was affected by the solvent processes of transmutation into new human faculty and power. None the less, this same antique survival was destined to pass into modes and forms belonging quite as much to the Middle Ages as to antiquity; and, thus recast, it was to become a broadening and informing element in the mediaeval personality. Likewise with the patristic Christianity which had been transmitted to the Carolingian time, to be then and there not only conned and studied, but also rearranged by these painful students, so that they and their successors might the better comprehend it. It was not for them to change the patristic forms organically, by converting them into the modes of mediaeval understanding of the same. These would be devised, or rather achieved, by later men, living in centuries when the patristic heritage of doctrine, long held and cherished, had permeated the whole spiritual natures of mediaeval men and women, and had been itself transmuted in what it had transformed. CHAPTER XI MENTAL ASPECTS OF THE ELEVENTH CENTURY: ITALY I. FROM CHARLEMAGNE TO HILDEBRAND. II. THE HUMAN SITUATION. III. THE ITALIAN CONTINUITY OF ANTIQUE CULTURE. IV. ITALY’S INTELLECTUAL PIETY: PETER DAMIANI AND ST. ANSELM. I