The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
The rationale of such customs is fairly simple. They depend upon a
notion of sympathetic magic carried on into the animistic stage of
belief. Their object is to secure the beneficent influence of the
fertilization spirit by bringing the persons or places to be benefited
into direct contact with the physical embodiment of that spirit. In the
burgeoning quick set up on the village green is the divine presence.
The worshipper clad in leaves and flowers has made himself a garment of
the god, and is therefore in a very special sense under his protection.
Thus efficacy in folk-belief of physical contact may be illustrated by
another set of practices in which recourse is had to the fertilization
spirit for the cure of disease. A child suffering from croup,
convulsions, rickets, or other ailment, is passed through a hole in
a split tree, or beneath a bramble rooted at both ends, or a strip of
turf partly raised from the ground. It is the actual touch of earth or
stem that works the healing[385].
May-pole or church may represent a focus of the cult at some specially
sacred tree or grove in the heathen village. But the ceremony, though
it centres at these, is not confined to them, for its whole purpose
is to distribute the benign influence over the entire community,
every field, fold, pasture, orchard close and homestead thereof. At
ploughing, the driving of the first furrow; at harvest, the homecoming
of the last wain, is attended with ritual. Probably all the primitive
festivals, and certainly that of high summer, included a lustration,
in which the image or tree which stood for the fertilization spirit
was borne in solemn procession from dwelling to dwelling and round
all the boundaries of the village. Tacitus records the progress of
the earth-goddess Nerthus amongst the German tribes about the mouth
of the Elbe, and the dipping of the goddess and the drowning of her
slaves in a lake at the term of the ceremony[386]. So too at Upsala in
Sweden the statue of Freyr went round when winter was at an end[387];
while Sozomenes tells how, when Ulfilas was preaching Christianity
to the Visigoths, Athanaric sent the image of his god abroad in
a wagon, and burnt the houses of all who refused to bow down and
sacrifice[388]. Such lustrations continue to be a prominent feature
of the folk survivals. They are preserved in a number of processional
customs in all parts of England; in the municipal ‘ridings,’ ‘shows,’
or ‘watches’ on St. George’s[389] or Midsummer[390] days; in the
‘Godiva’ procession at Coventry[391], the ‘Bezant’ procession at
Shaftesbury[392]. Hardly a rural merry-making or wake, indeed, is
without its procession; if it is only in the simple form of the _quête_
which the children consider themselves entitled to make, with their
May-garland, or on some other traditional pretext, at various seasons
of the calendar. Obviously in becoming mere _quêtes_, collections of
eggs, cakes and so forth, or even of small coins, as well as in falling
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account